All the mills in the world are grinding gold grain,
All hearts in the world like my heart should be fain
For my foot goes in time to a holiday measure
And the bird in my bosom is singing for pleasure.
Tall soldiers in gold stand the plumed ranks of corn,
And the poppies are dancing for joy of the morn:
They're gipsies and vagrants, the home-keepers say,
But my heart is at one with the poppies to-day.
I know not what end to my travel shall be,
Or what fairy Prince rides a-seeking for me —
He may be a Sheogue in graithing of gold,
Or a graybeard who tarries for young maids and old.
Meanwhile I go tramping the merry world over,
With the flower of my heart folded close for my lover:
Folded safely and close till my Prince come and claim
The bud long asleep, and the flower turn a flame.
Meanwhile I go tramping, a masterless maid,
With flowers blowing for me in sunshine and shade,
White poppies, red poppies, sea-poppies of amber,
And a wreath for my head of all wild vines that clamber.
I am one with the wind and the flowers in the corn
And I and the wind laugh aloud in our scorn
At the bedesmen who quarrel earth's meadow-lands over,
While there's roses on bushes and honey in clover.
I am busy working to bring Nora Hopper Chesson's "A Song of the Road" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Nora Hopper Chesson's life and contributions to literature.
Check back soon to experience how "A Song of the Road" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.