You, that decipher out the fate
Of human offsprings from the skies,
What mean these infants which, of late.
Spring from the stars of Chlora’s eyes?
Her eyes confused, and doubled o’er
With tears suspended ere they flow,
Seem bending upwards to restore
To heaven, whence it came, their woe.
When, moulding of the watery spheres,
Slow drops untie themselves away,
As if she with those precious tears,
Would strew the ground where Strephon
Yet some affirm, pretending art,
Her eyes have so her bosom drown'd,
Only to soften, near her heart,
A place to fix another wound.
And, while vain pomp does her restrain
Within her solitary bower,
She courts herself in amorous rain,
Herself both Danae and the shower.
Nay others, bolder, hence esteem
Joy now so much her master grown,
That whatsoever does but seem
Like grief is from her windows thrown.
Nor that she pays, while she survives,
To her dead love this tribute due,
But casts abroad these donatives,
At the installing of a new.
How wide they dream! the Indian slaves,
Who sink for pearl through seas profound,
Would find her tears yet deeper waves,
And not of one the bottom sound.
I yet my silent judgment keep,
Disputing not what they believe:
But sure as oft the women weep,
It is to be supposed they grieve.
I am busy working to bring Andrew Marvell's "Mourning" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Andrew Marvell's life and contributions to literature.
Check back soon to experience how "Mourning" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.