Reconstruct the poem by dragging each line into its correct position. Your goal is to reassemble the original poem as accurately as possible. As you move the lines, you'll see whether your arrangement is correct, helping you explore the poem's flow and meaning. You can also print out the jumbled poem to cut up and reassemble in the classroom. Either way, take your time, enjoy the process, and discover how the poet's words come together to create something truly beautiful.
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With only another league to wend;
But follows and follows the journeying sun,
The sound of the hollow sea's release
When the stealthy sad-heart leaves go home;
The cobweb bloom on the yellow quince;
The silent fleck of the cold new moon;
And oh, the joy that is never won,
Another to sleep with, and a third
Alluring up and enticing down
A crimson touch on the hard-wood trees;
An open hand, an easy shoe,
A lyric touch of solitude;
To wake me up at the voice of a bird;
And the striding heart from hill to hill;
From purple glory to scarlet pomp;
And a hope to make the day go through,β
The tempter apple over the fence;
But, smiling, takes the world in his hands,β
From rippled water to dappled swamp,
And gave it the weight of his will for law.
A will-o'-the-wind, a light-o'-dream,
Who never defers and never demands,
A vagrant's morning wide and blue,
These are the joys of the open roadβ
The broad gold wake of the afternoon;
By marsh and tide, by meadow and stream,
A comrade neither glum nor merry,
Now the joys of the road are chiefly these:
The racy smell of the forest loam,
A shadowy highway cool and brown,
A scrap of gossip at the ferry;
The outward eye, the quiet will,
For him who travels without a load.
In early fall, when the wind walks too;
From stormy tumult to starry peace;
The palish asters along the wood,β
And two brown arms at the journey's end!
Seeing it good as when God first saw
π Congratulations! π
You've successfully reconstructed the poem! Your understanding of poetry and attention to detail is impressive.
Now the joys of the road are chiefly these: A crimson touch on the hard-wood trees;
A vagrant's morning wide and blue, In early fall, when the wind walks too;
A shadowy highway cool and brown, Alluring up and enticing down
From rippled water to dappled swamp, From purple glory to scarlet pomp;
The outward eye, the quiet will, And the striding heart from hill to hill;
The tempter apple over the fence; The cobweb bloom on the yellow quince;
The palish asters along the wood,— A lyric touch of solitude;
An open hand, an easy shoe, And a hope to make the day go through,—
Another to sleep with, and a third To wake me up at the voice of a bird;
A scrap of gossip at the ferry; A comrade neither glum nor merry,
Who never defers and never demands, But, smiling, takes the world in his hands,—
Seeing it good as when God first saw And gave it the weight of his will for law.
And oh, the joy that is never won, But follows and follows the journeying sun,
By marsh and tide, by meadow and stream, A will-o'-the-wind, a light-o'-dream,
The racy smell of the forest loam, When the stealthy sad-heart leaves go home;
The broad gold wake of the afternoon; The silent fleck of the cold new moon;
The sound of the hollow sea's release From stormy tumult to starry peace;
With only another league to wend; And two brown arms at the journey's end!
These are the joys of the open road— For him who travels without a load.