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In summer, when the Cuckoo sings,
And clouds like greater moons can shine;
When every leafy tree doth hold
A loving heart that beats with mine:
Now, when the Brook has cresses green,
As well as stones, to check his pace;
And, if the Owl appears, he's forced
By small birds to some hiding-place:
Then, like red Robin in the spring,
I shun those haunts where men are found;
My house holds little joy until
Leaves fall and birds can make no sound;
Let none invade that wilderness
Into whose dark green depths I go—
Save some fine lady, all in white,
Comes like a pillar of pure snow.
W. H. Davies’ When the Cuckoo Sings is a lyrical meditation on the interplay between nature, solitude, and human longing. Written in the early 20th century, the poem reflects Davies’ characteristic preoccupation with the natural world and his rejection of urban modernity. Davies, a Welsh poet known for his simplicity and directness, often drew inspiration from his experiences as a wanderer and his deep connection to the countryside. This poem, like much of his work, captures the tension between the desire for solitude and the yearning for human connection, set against the backdrop of a vibrant, almost animate natural world.
To fully appreciate When the Cuckoo Sings, it is essential to situate it within the broader context of early 20th-century literature and Davies’ personal history. The poem was written during a period of significant social and technological change, as industrialization and urbanization were transforming the landscape of Britain. Davies, who lived a transient and often impoverished life, frequently sought refuge in nature, which he idealized as a sanctuary from the alienation and dehumanization of modern society. His work can be seen as part of the Romantic tradition, echoing the sentiments of poets like Wordsworth and Keats, who celebrated nature as a source of spiritual and emotional renewal.
The cuckoo, a recurring symbol in British literature, is particularly significant in this poem. Traditionally associated with spring and renewal, the cuckoo’s song heralds the arrival of warmer months and the reawakening of life. However, Davies’ use of the cuckoo is more nuanced. Here, the bird’s song serves as a marker of time and a catalyst for the speaker’s retreat into solitude. The poem’s setting—a lush, green wilderness—reflects the Romantic ideal of nature as a place of refuge and introspection, but it also hints at the speaker’s ambivalence toward human society.
At its core, When the Cuckoo Sings explores the tension between solitude and companionship, nature and civilization, and transience and permanence. The speaker’s retreat into the wilderness is both a rejection of human society and a search for a deeper, more authentic connection—with nature, with oneself, and, paradoxically, with an idealized human presence. The poem’s emotional impact lies in its ability to evoke a sense of longing and ambivalence, as the speaker oscillates between the joy of solitude and the ache of loneliness.
The opening lines establish the poem’s central theme of communion with nature:
In summer, when the Cuckoo sings,
And clouds like greater moons can shine;
When every leafy tree doth hold
A loving heart that beats with mine:
Here, the speaker describes a world in which nature is alive and sentient, its rhythms synchronized with his own. The imagery of clouds “like greater moons” and trees with “loving hearts” suggests a harmonious, almost mystical connection between the speaker and the natural world. This connection is further emphasized by the personification of the brook, which is described as having “cresses green” and “stones” that “check his pace.” The brook, like the speaker, is both free and constrained, its movement a metaphor for the ebb and flow of life.
Yet, despite this idyllic portrayal of nature, the poem is tinged with melancholy. The speaker’s retreat into solitude is not entirely voluntary; it is also a response to the absence of joy in his “house” and the intrusion of human society. The image of the owl, forced into hiding by small birds, serves as a metaphor for the speaker’s own desire to escape the noise and chaos of the world. The owl, often associated with wisdom and solitude, is here a figure of vulnerability, driven into the shadows by more aggressive forces.
The poem’s emotional complexity is most evident in its closing lines:
Let none invade that wilderness
Into whose dark green depths I go—
Save some fine lady, all in white,
Comes like a pillar of pure snow.
Here, the speaker’s longing for solitude is tempered by a yearning for human connection. The “fine lady, all in white” is an idealized figure, her purity and grace contrasting sharply with the “dark green depths” of the wilderness. Her appearance is both a disruption and a fulfillment, suggesting that even in solitude, the speaker is not entirely free from the desire for companionship. This tension between solitude and connection is central to the poem’s emotional resonance, as it captures the universal human experience of longing for both independence and intimacy.
Davies’ use of literary devices in When the Cuckoo Sings is subtle yet effective, enhancing the poem’s themes and emotional impact. The poem is rich in sensory imagery, evoking the sights, sounds, and textures of the natural world. The cuckoo’s song, the shining clouds, the leafy trees, and the green cresses all contribute to a vivid, immersive portrayal of summer. This imagery serves not only to create a sense of place but also to underscore the speaker’s deep connection to nature.
The poem’s structure and rhythm also play a significant role in conveying its themes. The lines are fluid and melodic, mirroring the natural rhythms of the landscape. The use of enjambment, where one line flows into the next without pause, creates a sense of continuity and movement, reflecting the speaker’s journey into the wilderness. At the same time, the occasional use of caesura—a pause within a line—adds a sense of restraint and introspection, as in the line:
My house holds little joy until
Leaves fall and birds can make no sound;
Here, the pause after “until” emphasizes the speaker’s sense of emptiness and longing, as he waits for the natural world to mirror his inner state.
Davies also employs symbolism to great effect. The cuckoo, as mentioned earlier, symbolizes renewal and the passage of time, while the owl represents wisdom and solitude. The brook, with its green cresses and stones, symbolizes the flow of life and the obstacles that shape it. The “fine lady, all in white” is perhaps the most potent symbol in the poem, representing an idealized vision of human connection and purity. Her appearance, “like a pillar of pure snow,” suggests both beauty and fragility, as well as the possibility of transcendence.
When the Cuckoo Sings is a poignant exploration of the human condition, capturing the tension between solitude and companionship, nature and civilization, and longing and fulfillment. Through its rich imagery, subtle symbolism, and melodic rhythm, the poem invites readers to reflect on their own relationship with the natural world and with others. Davies’ ability to evoke complex emotions with simplicity and directness is a testament to his skill as a poet and his deep understanding of the human heart.
In a world increasingly dominated by technology and urbanization, When the Cuckoo Sings serves as a reminder of the enduring power of nature to inspire, heal, and connect us to something greater than ourselves. It is a poem that resonates across time and culture, speaking to the universal human experience of longing, solitude, and the search for meaning. As we read and reflect on Davies’ words, we are reminded of the beauty and fragility of the natural world and of our own place within it.