The Chances
Wilfred Owen
1893 to 1918
I mind as 'ow the night afore that show
Us five got talking,—we was in the know,
"Over the top to-morrer; boys, we're for it,
First wave we are, first ruddy wave; that's tore it."
"Ah well," says Jimmy,—an' 'e's seen some scrappin'—
"There ain't more nor five things as can 'appen;
Ye get knocked out; else wounded—bad or cushy;
Scuppered; or nowt except yer feeling mushy."
One of us got the knock-out, blown to chops.
T'other was hurt, like, losin' both 'is props.
An' one, to use the word of 'ypocrites,
'Ad the misfortoon to be took by Fritz.
Now me, I wasn't scratched, praise God Almighty
(Though next time please I'll thank 'im for a blighty),
But poor young Jim, 'e's livin' an' 'e's not;
'E reckoned 'e'd five chances, an' 'e's 'ad;
'E's wounded, killed, and pris'ner, all the lot—
The ruddy lot all rolled in one. Jim's mad.
Wilfred Owen's The Chances
I am busy working to bring Wilfred Owen's "The Chances" to life through some unique musical arrangements and will have a full analysis of the poem here for you soon.
At V2Melody, each arrangement is crafted with care through a thoughtful partnership of human artistry and technological innovation. This process involves:
- Deep analysis of the poem's rhythm, structure, and emotional essence
- Careful selection of musical styles that enhance the poem's unique voice
- Balancing traditional poetic expression with contemporary sound landscapes
- Multiple revisions to ensure the arrangement honors the poet's original vision
This creative journey takes time—each composition represents hours of dedicated work to create something that deepens our connection to Wilfred Owen's words in meaningful ways.
While you wait for the complete interpretation, I invite you to explore other musical arrangements in my gallery or learn more about Wilfred Owen's life and contributions to literature.
Check back soon to experience how "The Chances" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
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