"Whose are the little beds," I asked,
"Which in the valleys lie?"
Some shook their heads, and others smiled,
And no one made reply.
"Perhaps they did not hear," I said;
"I will inquire again.
Whose are the beds, the tiny beds
So thick upon the plain?"
"'T is daisy in the shortest;
A little farther on,
Nearest the door to wake the first,
Little leontodon.
"'T is iris, sir, and aster,
Anemone and bell,
Batschia in the blanket red,
And chubby daffodil."
Meanwhile at many cradles
Her busy foot she plied,
Humming the quaintest lullaby
That ever rocked a child.
"Hush! Epigea wakens! —
The crocus stirs her lids,
Rhodora's cheek is crimson, —
She's dreaming of the woods."
Then, turning from them, reverent,
"Their bed-time 't is," she said;
"The bumble-bees will wake them
When April woods are red."
I am busy working to bring Emily Dickinson's "The Sleeping Flowers" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Emily Dickinson's life and contributions to literature.
Check back soon to experience how "The Sleeping Flowers" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
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