A Leave-Taking
Algernon Charles Swinburne
1837 to 1909
Let us go hence, my songs; she will not hear.
Let us go hence together without fear;
Keep silence now, for singing-time is over,
And over all old things and all things dear.
She loves not you nor me as all we love her.
Yea, though we sang as angels in her ear,
She would not hear.
Let us rise up and part; she will not know.
Let us go seaward as the great winds go,
Full of blown sand and foam; what help is here?
There is no help, for all these things are so,
And all the world is bitter as a tear.
And how these things are, though ye strove to show,
She would not know.
Let us go home and hence; she will not weep.
We gave love many dreams and days to keep,
Flowers without scent, and fruits that would not grow,
Saying 'If thou wilt, thrust in thy sickle and reap.'
All is reaped now; no grass is left to mow;
And we that sowed, though all we fell on sleep,
She would not weep.
Let us go hence and rest; she will not love.
She shall not hear us if we sing hereof,
Nor see love's ways, how sore they are and steep.
Come hence, let be, lie still; it is enough.
Love is a barren sea, bitter and deep;
And though she saw all heaven in flower above,
She would not love.
Let us give up, go down; she will not care.
Though all the stars made gold of all the air,
And the sea moving saw before it move
One moon-flower making all the foam-flowers fair;
Though all those waves went over us, and drove
Deep down the stifling lips and drowning hair,
She would not care.
Let us go hence, go hence; she will not see.
Sing all once more together; surely she,
She too, remembering days and words that were,
Will turn a little toward us, sighing; but we,
We are hence, we are gone, as though we had not been there.
Nay, and though all men seeing had pity on me,
She would not see.
Algernon Charles Swinburne's A Leave-Taking
Introduction
Algernon Charles Swinburne's "A Leave-Taking" stands as a poignant testament to the complexities of unrequited love and the profound sense of despair that accompanies it. This exquisitely crafted poem, with its haunting refrain and richly layered imagery, offers a deeply moving exploration of emotional turmoil and resignation. Through a meticulous analysis of its form, language, and thematic elements, we can uncover the intricate ways in which Swinburne weaves together sound and sense to create a work of remarkable depth and resonance.
Form and Structure
The poem's structure is immediately striking, consisting of six seven-line stanzas, each following a consistent rhyme scheme (ABABAAB). This formal regularity provides a stark contrast to the tumultuous emotions expressed within the verse. The repetition of the final line of each stanza, with its shorter length and emphatic rhyme, serves as a haunting refrain that underscores the speaker's growing sense of futility and despair.
Swinburne's mastery of form is evident in his use of enjambment and caesura, which create a sense of fluid movement throughout the poem. This fluidity mirrors the ebb and flow of emotional states, from resignation to fleeting hope and back again. The rhythmic structure, primarily iambic pentameter with variations, lends a musical quality to the verse that enhances its emotive power.
Imagery and Symbolism
The poem is rich in natural imagery, drawing heavily on elements of sea and shore. This maritime motif serves multiple purposes within the work. On one level, it provides a tangible backdrop for the emotional landscape of the speaker. The "great winds" and "blown sand and foam" evoke a sense of tumult and instability, mirroring the speaker's inner turmoil.
More profoundly, the sea becomes a powerful symbol for the vastness and incomprehensibility of love itself. When Swinburne writes, "Love is a barren sea, bitter and deep," he encapsulates the paradoxical nature of unrequited affection - expansive yet ultimately fruitless, all-encompassing yet devoid of nourishment.
The imagery of cultivation and harvest also features prominently, with references to reaping, mowing, and fruitless growth. These agricultural metaphors serve to emphasize the cyclical nature of love and loss, as well as the sense of wasted effort that permeates the poem. The line "All is reaped now; no grass is left to mow" poignantly captures the feeling of emotional exhaustion and the realization that no further effort can change the situation.
Themes and Emotional Landscape
At its core, "A Leave-Taking" is an exploration of the psychological impact of unrequited love. The speaker's emotional journey is charted through a series of realizations, each more devastating than the last. The repetition of "She will not" (hear, know, weep, love, care, see) serves as a relentless hammering home of the beloved's indifference, each iteration deepening the sense of hopelessness.
The theme of futility is pervasive throughout the poem. Despite the speaker's best efforts, symbolized by singing "as angels in her ear" or showing "all heaven in flower above," there is a growing recognition that these gestures are ultimately meaningless in the face of the beloved's apathy. This sense of powerlessness is further emphasized by the use of collective pronouns ("we," "us"), suggesting that this experience is not unique to the speaker but perhaps a universal aspect of the human condition.
Intertwined with this futility is a profound sense of resignation. The repeated exhortations to "go hence" and "give up" indicate a reluctant acceptance of the situation's immutability. This resignation is tinged with a bittersweet quality, as evidenced by lines such as "We gave love many dreams and days to keep," which hint at the once-hopeful nature of the speaker's affections.
Language and Sound
Swinburne's mastery of language is on full display in "A Leave-Taking." The poem's sonic qualities are carefully crafted to enhance its emotional impact. The prevalence of sibilant sounds ("silence," "singing," "seaward," "sand") creates a hushed, almost whispered tone that befits the poem's themes of departure and unspoken longing.
Alliteration is employed to great effect throughout the work, as in "Full of blown sand and foam" and "Deep down the stifling lips and drowning hair." These sound patterns not only contribute to the poem's musicality but also serve to emphasize key images and emotions.
The diction is characterized by a blend of simplicity and elegance. While many of the individual words are straightforward, their combination and arrangement create a language that is both accessible and deeply evocative. This is particularly evident in lines like "And all the world is bitter as a tear," where the simplicity of the comparison belies its emotional weight.
Contextual Considerations
To fully appreciate "A Leave-Taking," it is crucial to consider its place within Swinburne's oeuvre and the broader context of Victorian poetry. Swinburne, known for his technical virtuosity and often controversial themes, here demonstrates a more restrained yet no less powerful approach to verse.
The poem's exploration of unrequited love and its attendant despair places it firmly within the tradition of Romantic poetry, yet its formal precision and emotional restraint also align it with Victorian sensibilities. The tension between these two impulses - the Romantic focus on individual emotion and the Victorian emphasis on form and control - is part of what gives the poem its unique power.
Moreover, the poem's themes of futility and resignation can be read as a reflection of broader cultural anxieties of the late Victorian era. As traditional certainties were increasingly called into question, works like "A Leave-Taking" gave voice to a growing sense of disillusionment and emotional complexity.
Conclusion
"A Leave-Taking" stands as a masterful exploration of the human heart in the throes of unrequited love. Through its intricate interplay of form and content, sound and sense, Swinburne creates a work that is at once deeply personal and universally resonant. The poem's power lies not just in its expression of despair, but in the beauty it finds within that despair - a beauty captured in the very act of articulation.
As readers, we are left with a profound sense of the complexity of human emotion and the enduring power of poetry to give shape to our most ineffable experiences. In its unflinching examination of love's darker aspects, "A Leave-Taking" paradoxically affirms the value of the emotion even as it mourns its loss. It is this tension - between resignation and celebration, between the particular and the universal - that ensures the poem's lasting place in the canon of English literature.