’Tis Spring, my love, ’tis Spring,
And the birds begin to sing:
If ’t was Winter, left alone with you,
Your bonny form and face,
Would make a Summer place,
And be the finest flower that ever grew.
'Tis Spring, my love, ’tis Spring,
And the hazel catkins hing,
While the snowdrop has its little blebs of dew;
But that’s not so white within
As your bosom’s hidden skin—
That sweetest of all flowers that ever grew.
The sun arose from bed,
All strewn with roses red,
But the brightest and the loveliest crimson place
Is not so fresh and fair,
Or so sweet beyond compare,
As thy blushing, ever smiling, happy face.
I love Spring’s early flowers,
And their bloom in its first hours,
But they never half so bright or lovely seem
As the blithe and happy grace
Of my darling’s blushing face,
And the happiness of loves young dream.
John Clare, often referred to as the "peasant poet," was a 19th-century English poet known for his vivid depictions of rural life and the natural world. His work is characterized by a deep sensitivity to the rhythms of nature and an intimate connection to the landscapes of his native Northamptonshire. ’Tis Spring, My Love, ’tis Spring is a quintessential example of Clare’s ability to intertwine the beauty of the natural world with the profundity of human emotion. Written during the Romantic era, a period marked by a celebration of nature, individualism, and emotion, the poem reflects the Romantic preoccupation with the interplay between the external world and internal feeling.
The Romantic era, spanning the late 18th to mid-19th century, was a time of profound social and industrial change. The Industrial Revolution was transforming the English countryside, displacing rural communities and altering traditional ways of life. Clare, who lived through these upheavals, often expressed a sense of loss and nostalgia for a vanishing pastoral world. His poetry, however, is not merely elegiac; it is also deeply celebratory, capturing the ephemeral beauty of nature and the enduring power of human connection.
In ’Tis Spring, My Love, ’tis Spring, Clare situates his love within the cyclical renewal of the natural world. Spring, as a season, has long been a symbol of rebirth, hope, and vitality. In the Romantic tradition, it is often associated with the awakening of both the earth and the human spirit. Clare’s poem aligns with this tradition, using the imagery of spring to evoke the freshness and intensity of young love. At the same time, the poem can be read as a subtle resistance to the industrialization of the countryside, asserting the timeless value of natural beauty and human affection in the face of rapid change.
The central theme of the poem is the convergence of love and nature. Clare draws a parallel between the rejuvenation of the natural world in spring and the vitality of romantic love. The speaker’s beloved is compared to the finest flowers, her beauty surpassing even the most exquisite elements of the season. This comparison elevates the beloved to a quasi-mythical status, suggesting that human love is not only part of nature but also its pinnacle.
Another theme is the transient yet eternal nature of beauty. Spring is a fleeting season, and the flowers that bloom in its early hours are ephemeral. Yet, within this transience, Clare finds a kind of permanence. The beloved’s beauty, though subject to the passage of time, is portrayed as timeless and unchanging. This tension between the ephemeral and the eternal is a hallmark of Romantic poetry, reflecting the era’s preoccupation with the sublime and the ineffable.
Clare employs a range of literary devices to convey the poem’s themes and emotional depth. One of the most striking is his use of imagery. The poem is rich with visual and sensory details that evoke the freshness and vibrancy of spring. The “hazel catkins,” “snowdrop,” and “roses red” are not merely decorative elements; they serve to create a vivid backdrop against which the beloved’s beauty is highlighted. The snowdrop, for instance, with its “little blebs of dew,” is a delicate and fragile flower, yet Clare contrasts its whiteness with the “hidden skin” of the beloved’s bosom, suggesting that her beauty is both more profound and more enduring.
The poem also makes effective use of simile and metaphor. The beloved’s form and face are compared to a “Summer place” and the “finest flower that ever grew,” elevating her to the status of a natural wonder. These comparisons not only emphasize her physical beauty but also suggest that she embodies the essence of the seasons themselves. The sun, a traditional symbol of vitality and life, is described as “strewn with roses red,” yet even its brightness pales in comparison to the beloved’s “blushing, ever smiling, happy face.” This hyperbolic comparison underscores the speaker’s adoration and the transformative power of love.
Clare’s use of repetition is another notable feature. The refrain “’Tis Spring, my love, ’tis Spring” serves to anchor the poem, creating a sense of rhythm and continuity. This repetition mirrors the cyclical nature of the seasons, reinforcing the idea that love, like spring, is a recurring and renewing force. At the same time, the refrain imbues the poem with a musical quality, enhancing its emotional resonance.
The poem’s tone is one of unbridled joy and reverence. Clare’s language is simple yet evocative, reflecting his deep connection to the natural world and his genuine affection for his subject. The speaker’s voice is intimate and tender, inviting the reader to share in his wonder and admiration. This tone is particularly effective in conveying the poem’s emotional impact, as it creates a sense of immediacy and authenticity.
The emotional power of ’Tis Spring, My Love, ’tis Spring lies in its ability to evoke a sense of wonder and delight. Clare’s celebration of love and nature is infectious, inviting the reader to see the world through the eyes of someone deeply in love. The poem’s imagery and language create a vivid sensory experience, immersing the reader in the sights, sounds, and sensations of spring. At the same time, the speaker’s adoration of his beloved is deeply moving, capturing the intensity and purity of young love.
The poem also resonates on a deeper emotional level, touching on themes of beauty, transience, and the passage of time. While the speaker’s joy is palpable, there is an undercurrent of melancholy, a recognition that the beauty of spring—and perhaps the beloved—is fleeting. This tension between joy and sorrow is a hallmark of Romantic poetry, reflecting the era’s preoccupation with the sublime and the ineffable.
John Clare’s ’Tis Spring, My Love, ’tis Spring is a masterful exploration of the interplay between love and nature. Through its vivid imagery, evocative language, and heartfelt tone, the poem captures the beauty and vitality of both the natural world and human emotion. Situated within the historical and cultural context of the Romantic era, the poem reflects the period’s celebration of nature, individualism, and the sublime. At the same time, it transcends its historical moment, speaking to the timeless and universal experience of love.
Clare’s ability to find the extraordinary in the ordinary—to see the beloved as the “finest flower that ever grew”—is a testament to his poetic vision. His work reminds us of the power of poetry to connect us to the world and to each other, to find beauty in the everyday, and to celebrate the enduring power of love. In ’Tis Spring, My Love, ’tis Spring, Clare invites us to share in his wonder and joy, to see the world anew, and to cherish the fleeting yet eternal beauty of life.
Click the button below to print a cloze exercise of the poem critique. This exercise is designed for classroom use.