May

Nora Hopper Chesson

1871 to 1906

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We are working on musical arrangements of May by Nora Hopper Chesson and they will be published on a date yet to be decided.

O May is in the waters, and May is in the wind, 
She is the hope that hurries on, the fear that lags behind. 
She is the pulse that hastens the milkmaid to her lad, 
The vision long remembered, the goad that drives men mad. 
She is the growing beauty, the warmth that's in the air — 
She reddens in the mayflower, she whitens in the pear. 

Where lovers go a-trysting May's heard and is not seen,
She laughs among the lasses that romp upon the green. 
She is the soul of laughter, she is the heart of tears, 
She sows the seed of sorrow, she gathers fruit of fears. 
She sets both bud and canker to ripen with the rose- 
She has no mind to harvest, but endlessly she sows. 

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Nora Hopper Chesson's May

We are busy working to bring Nora Hopper Chesson's "May" to life through our unique musical arrangements and will have a full analysis of the poem here for you soon.

At V2Melody, each arrangement is crafted with care through a thoughtful partnership of human artistry and technological innovation. This process involves:

  • Deep analysis of the poem's rhythm, structure, and emotional essence
  • Careful selection of musical styles that enhance the poem's unique voice
  • Balancing traditional poetic expression with contemporary sound landscapes
  • Multiple revisions to ensure the arrangement honors the poet's original vision

This creative journey takes time—each composition represents hours of dedicated work to create something that deepens our connection to Nora Hopper Chesson's words in meaningful ways.

While you wait for our complete interpretation, we invite you to explore other musical arrangements in our gallery or learn more about Nora Hopper Chesson's life and contributions to literature.

Check back soon to experience how "May" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.