You loved me not at all, but let it go
Edna St. Vincent Millay
1892 to 1950
You loved me not at all, but let it go;
I loved you more than life, but let it be.
As the more injured party, this being so,
The hour’s amenities are all to me—
The choice of weapons; and I gravely choose
To let the weapons tarnish where they lie,
And spend the night in eloquent abuse
Of senators and popes and such small fry
And meet the morning standing, and at odds
With heaven and earth and hell and any fool
That calls his soul his own, and all the gods,
And all the children getting dressed for school...
And you will leave me, and I shall entomb
What’s cold by then in an adjoining room.
Edna St. Vincent Millay's You loved me not at all, but let it go
I am busy working to bring Edna St. Vincent Millay's "You loved me not at all, but let it go" to life through some unique musical arrangements and will have a full analysis of the poem here for you soon.
At V2Melody, each arrangement is crafted with care through a thoughtful partnership of human artistry and technological innovation. This process involves:
- Deep analysis of the poem's rhythm, structure, and emotional essence
- Careful selection of musical styles that enhance the poem's unique voice
- Balancing traditional poetic expression with contemporary sound landscapes
- Multiple revisions to ensure the arrangement honors the poet's original vision
This creative journey takes time—each composition represents hours of dedicated work to create something that deepens our connection to Edna St. Vincent Millay's words in meaningful ways.
While you wait for the complete interpretation, I invite you to explore other musical arrangements in my gallery or learn more about Edna St. Vincent Millay's life and contributions to literature.
Check back soon to experience how "You loved me not at all, but let it go" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
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