Light words they were, and lightly, falsely said:
She heard them, and she started,—and she rose,
As in the act to speak; the sudden thought
And unconsidered impulse led her on.
In act to speak she rose, but with the sense
Of all the eyes of that mixed company
Now suddenly turned upon her, some with age
Hardened and dulled, some cold and critical;
Some in whom vapours of their own conceit,
As moist malarious mists the heavenly stars,
Still blotted out their good, the best at best
By frivolous laugh and prate conventional
All too untuned for all she thought to say—
With such a thought the mantling blood to her cheek
Flushed-up, and o’er-flushed itself, blank night her soul
Made dark, and in her all her purpose swooned.
She stood as if for sinking. Yet anon
With recollections clear, august, sublime,
Of God’s great truth, and right immutable,
Which, as obedient vassals, to her mind
Came summoned of her will, in self-negation
Quelling her troublous earthy consciousness,
She queened it o’er her weakness. At the spell
Back rolled the ruddy tide, and leaves her cheek
Paler than erst, and yet not ebbs so far
But that one pulse of one indignant thought
Might hurry it hither in flood. So as she stood
She spoke. God in her spoke and made her heard.
I am busy working to bring Arthur Hugh Clough's "A Protest" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Arthur Hugh Clough's life and contributions to literature.
Check back soon to experience how "A Protest" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
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