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When Stretch'd On One's Bed

Jane Austen

1775 to 1817

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When stretch'd on one's bed
With a fierce-throbbing head,
Which precludes alike thought or repose,
How little one cares
For the grandest affairs
That may busy the world as it goes!

How little one feels
For the waltzes and reels
Of our Dance-loving friends at a Ball!
How slight one's concern
To conjecture or learn
What their flounces or hearts may befall.

How little one minds
If a company dines
On the best that the Season affords!
How short is one's muse
O'er the Sauces and Stews,
Or the Guests, be they Beggars or Lords.

How little the Bells,
Ring they Peels, toll they Knells,
Can attract our attention or Ears!
The Bride may be married,
The Corse may be carried
And touch nor our hopes nor our fears.

Our own bodily pains
Ev'ry faculty chains;
We can feel on no subject besides.
Tis in health and in ease
We the power must seize
For our friends and our souls to provide.

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Jane Austen's When Stretch'd On One's Bed

Introduction

Jane Austen, renowned for her witty social commentary and incisive exploration of the human condition, presents a departure from her usual narrative style in the poem "When Stretch'd On One's Bed." This lesser-known work offers a unique glimpse into the author's perspective on physical discomfort and its profound impact on one's worldview. Through a meticulous examination of the poem's structure, imagery, and thematic elements, this analysis aims to uncover the layers of meaning embedded within Austen's verses and situate the work within the broader context of her oeuvre and the literary landscape of the early 19th century.

Form and Structure

Austen employs a consistent rhyme scheme throughout the poem, adhering to an AABCCB pattern across five six-line stanzas. This structure, reminiscent of the ballad form, lends a rhythmic quality to the verses that belies the discomfort described within. The regularity of the form stands in stark contrast to the disruption of normal life detailed in the content, creating a tension that underscores the poem's central themes.

The use of short, punchy lines with an emphasis on end rhymes creates a sense of immediacy and urgency, mirroring the acute sensations experienced by the poem's subject. This technique effectively draws the reader into the physical and emotional state of the narrator, fostering a visceral connection to the described experience.

Imagery and Sensory Details

Austen's opening lines immediately immerse the reader in a world of physical discomfort: "When stretch'd on one's bed / With a fierce-throbbing head." This vivid imagery sets the tone for the entire poem, establishing a sensory foundation upon which subsequent verses build. The choice of the word "fierce" to describe the headache emphasizes the intensity of the pain, while "throbbing" evokes a pulsating sensation that the reader can almost feel.

Throughout the poem, Austen juxtaposes this acute physical distress with images of social gatherings and worldly concerns. References to "waltzes and reels," "flounces," and "Sauces and Stews" create a sensory tapestry that stands in stark relief against the narrator's state of suffering. This contrast serves to highlight the all-consuming nature of physical pain and its ability to eclipse even the most enticing of social engagements.

Thematic Analysis

At its core, "When Stretch'd On One's Bed" explores the transformative power of physical discomfort on one's perspective and priorities. Austen deftly illustrates how bodily pain can render the most pressing social concerns and obligations utterly insignificant. The poem presents a hierarchy of human experience, with physical well-being positioned as the foundation upon which all other aspects of life are built.

The recurring phrase "How little one cares" (or variations thereof) serves as a refrain throughout the poem, emphasizing the narrator's detachment from the external world. This repetition reinforces the central theme of isolation and introspection brought about by physical suffering. Austen suggests that pain has the power to strip away social pretenses and reduce one's focus to the most fundamental aspects of existence.

Moreover, the poem touches on the ephemeral nature of social engagements and worldly concerns when viewed through the lens of physical distress. The juxtaposition of grand affairs, balls, and dinners with the narrator's state of suffering highlights the ultimate triviality of these events in the face of more pressing bodily needs. This perspective aligns with Austen's broader literary themes of social critique and the examination of human nature beneath the veneer of societal norms.

Social Commentary and Critique

While primarily focused on the personal experience of physical discomfort, "When Stretch'd On One's Bed" also offers subtle social commentary characteristic of Austen's work. The mention of "Beggars or Lords" dining together suggests a leveling effect of physical suffering, which transcends social boundaries and renders class distinctions meaningless.

Furthermore, the poem's exploration of how pain impacts one's ability to engage with social norms and expectations can be read as a critique of the rigidity of societal structures. Austen implies that the demands of the body take precedence over social obligations, challenging the notion that one's duty to society should always come first.

Literary Context and Influences

"When Stretch'd On One's Bed" represents a departure from Austen's better-known prose works, showcasing her versatility as a writer. The poem's focus on physical discomfort and its effects on the psyche aligns with themes explored by Romantic poets of the era, such as John Keats in his "Ode to a Nightingale," where physical and emotional pain are intertwined.

However, Austen's treatment of the subject matter is distinctly her own, infused with her characteristic wit and keen observation of social dynamics. The poem's structure and rhyme scheme evoke earlier poetic traditions, such as the ballad form, while its content reflects the growing interest in individual experience and sensation characteristic of the Romantic period.

Philosophical Implications

Beyond its immediate concerns with physical discomfort, the poem raises philosophical questions about the nature of consciousness and the relationship between mind and body. Austen's exploration of how bodily pain "Ev'ry faculty chains" speaks to the interconnectedness of physical and mental states, challenging Cartesian notions of mind-body dualism.

Moreover, the final stanza's assertion that it is "in health and in ease / We the power must seize / For our friends and our souls to provide" suggests a pragmatic philosophy that recognizes the fundamental importance of physical well-being as a prerequisite for moral and social action. This perspective aligns with emerging ideas in the philosophy of medicine and the growing recognition of the role of health in human flourishing.

Conclusion

"When Stretch'd On One's Bed" stands as a testament to Jane Austen's ability to distill complex human experiences into poignant, accessible verse. Through its exploration of physical suffering and its impact on perception and priorities, the poem offers insights into the human condition that resonate beyond its immediate context.

Austen's skillful use of form, imagery, and thematic development creates a work that is at once deeply personal and universally relatable. The poem invites readers to reflect on their own experiences of physical discomfort and its transformative effects on their worldview, while also engaging with broader questions of social obligation, class distinctions, and the nature of consciousness.

In the context of Austen's oeuvre, "When Stretch'd On One's Bed" provides a valuable counterpoint to her prose works, offering a more direct and visceral exploration of themes that often simmer beneath the surface of her novels. As such, it enriches our understanding of Austen as a writer and thinker, revealing new facets of her artistic vision and her engagement with the philosophical and social issues of her time.

Ultimately, this poem serves as a reminder of the fragility of human experience and the profound impact that physical states can have on our perception of the world. In its unflinching examination of suffering and its effects, "When Stretch'd On One's Bed" affirms the enduring power of poetry to illuminate the most fundamental aspects of the human condition.