There's not a soul on the square,
And the snow blows up like a sail,
Or dizzily drifts like a drunken man
Falling, before the gale.
And when the wind eddies it rifts
The snow that lies in drifts;
And it skims along the walk and sifts
In stairways, doorways all about
The steps of the church in an angry rout.
And one would think that a hungry hound
Was out in the cold for the sound.
But I do not seem to mind
The snow that makes one blind,
Nor the crying voice of the vind—
I hate to hear the creak of the sign
Of Harmon Whitney, attorney at law;
With its rhythmic monotone of awe.
And neither a moan nor yet a whine,
Nor a cry of pain—one can't define
The sound of a creaking sign.
Especially if the sky be bleak,
And no one stirs however you seek,
And every time you hear it creak
You wonder why they let it stay
When a man is buried and hidden away,
Many a day!
I am busy working to bring Edgar Lee Masters's "The Sign" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the home page for other musical arrangements or learn more about Edgar Lee Masters's life and contributions to literature.
Check back soon to experience how "The Sign" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
Want to join the discussion? Reopen or create a unique username to comment. No personal details required!
Comments
No comments yet. Be the first to comment!