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The saddest noise, the sweetest noise

Emily Dickinson

1830 to 1886

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The saddest noise, the sweetest noise,
The maddest noise that grows, --
The birds, they make it in the spring,
At night's delicious close.

Between the March and April line --
That magical frontier
Beyond which summer hesitates,
Almost too heavenly near.

It makes us think of all the dead
That sauntered with us here,
By separation's sorcery
Made cruelly more dear.

It makes us think of what we had,
And what we now deplore.

We almost wish those siren throats
Would go and sing no more.

An ear can break a human heart
As quickly as a spear,
We wish the ear had not a heart
So dangerously near.

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Emily Dickinson's The saddest noise, the sweetest noise

Emily Dickinson's poem "The saddest noise, the sweetest noise" explores the complex emotions evoked by birdsong in spring, weaving together themes of joy, sorrow, memory, and the passage of time. Through vivid imagery and masterful use of paradox, Dickinson creates a poignant meditation on the bittersweet nature of existence and the power of sound to stir deep emotional responses.

The poem opens with a striking contradiction, describing birdsong as simultaneously "the saddest noise" and "the sweetest noise." This juxtaposition immediately establishes the central tension of the work, suggesting that beauty and pain are inextricably linked in the human experience. The addition of "the maddest noise that grows" further emphasizes the overwhelming and almost irrational impact of this sound on the speaker's psyche.

Dickinson situates this evocative birdsong at a specific time and place: spring evenings, particularly in the transition between March and April. This liminal period is described as a "magical frontier," a threshold between seasons that mirrors the emotional boundary the speaker traverses when hearing the birds. The poet's choice of words like "delicious" and "heavenly" to describe this time underscores its sensual and almost transcendent quality, while the hesitation of summer suggests a moment pregnant with anticipation and possibility.

As the poem progresses, Dickinson reveals the deeper significance of the birdsong for the speaker. It serves as a powerful trigger for memory, causing reflection on "all the dead / That sauntered with us here." This abrupt shift from the joy of spring to thoughts of mortality demonstrates how closely intertwined life and death are in the natural cycle and in human consciousness. The phrase "separation's sorcery" elegantly captures the way death transforms our perception of loved ones, making them "cruelly more dear" through their absence.

The birdsong not only evokes memories of the dead but also forces a painful comparison between past and present. The speaker contemplates "what we had, / And what we now deplore," highlighting the poem's themes of loss and the inexorable passage of time. The use of the plural "we" throughout these stanzas universalizes the experience, suggesting that this mixture of sweet nostalgia and bitter regret is a common human condition.

In a surprising turn, the speaker expresses a desire for the birds to "go and sing no more," revealing the intensity of the emotional turmoil their song produces. This wish, however, is qualified by the word "almost," indicating the speaker's ambivalence. While the pain of remembrance is acute, there is also a reluctance to let go of these connections to the past and the depth of feeling they inspire.

The final stanza introduces a new metaphor, comparing the ear to a heart in its vulnerability to emotional pain. The statement that "An ear can break a human heart / As quickly as a spear" is a powerful expression of how profoundly sound - and by extension, memory and emotion - can affect us. The poem concludes with a poignant wish for emotional insulation, desiring "the ear had not a heart / So dangerously near." This closeness between perception and feeling, however, is precisely what gives life its richness and poignancy, as the poem has demonstrated throughout.

Dickinson's technical mastery is evident in her use of slant rhyme, irregular meter, and dashes, all hallmarks of her unique style. These elements contribute to the poem's musical quality while also creating a sense of hesitation and fragmentation that mirrors the complex emotions being explored. The simplicity of the language belies the depth of the concepts being grappled with, a characteristic feature of Dickinson's work.

In conclusion, "The saddest noise, the sweetest noise" is a nuanced exploration of the human heart's response to beauty and loss. Through the central image of birdsong, Dickinson delves into the nature of memory, the inevitability of change, and the bitter-sweetness of the human condition. The poem's enduring power lies in its ability to capture the complexity of our emotional lives, where joy and sorrow, past and present, life and death are constantly intertwined, all triggered by something as seemingly simple as the song of birds in spring.