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Sonnet 18

William Shakespeare

1564 to 1616

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Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance, or nature's changing course, untrimm'd;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest;
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.

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William Shakespeare's Sonnet 18

William Shakespeare's Sonnet 18, beginning with the iconic line "Shall I compare thee to a summer's day?", is a masterful exploration of love, beauty, and the power of poetry to immortalize the subject of the speaker's affection. Through its intricate structure and vivid imagery, the sonnet not only praises the beloved but also reflects on the transient nature of earthly beauty and the enduring quality of art.

The poem opens with a rhetorical question that immediately engages the reader and establishes the central conceit of the sonnet: the comparison between the beloved and a summer's day. This comparison is a common trope in love poetry, but Shakespeare subverts expectations by ultimately rejecting the analogy. The speaker declares that the subject of the poem is "more lovely and more temperate" than a summer's day, setting up a contrast that will be developed throughout the quatrains.

In the following lines, Shakespeare elaborates on the imperfections of summer, effectively dismantling the idealized notion of the season. He personifies the "rough winds" that "shake the darling buds of May," evoking a sense of violence that contrasts sharply with the gentleness associated with the beloved. The phrase "summer's lease hath all too short a date" introduces the theme of impermanence, suggesting that even the beauty of summer is fleeting and bound by time.

The second quatrain continues to explore the flaws of summer, focusing on its inconsistency. The "eye of heaven" (the sun) is sometimes "too hot," while at other times its "gold complexion" is "dimm'd." This inconstancy is further emphasized in the line "And every fair from fair sometime declines," which introduces the universal law of entropy and decay. The use of alliteration in "fair from fair" underscores the inevitability of this decline, while the word "untrimm'd" suggests a loss of cultivation or refinement.

Having established the imperfections of summer, Shakespeare pivots in the third quatrain to contrast these with the enduring qualities of the beloved. The phrase "thy eternal summer" ingeniously combines the earlier metaphor with the idea of permanence, creating a new concept that transcends the limitations of the natural world. The repetition of "nor" at the beginning of consecutive lines (anaphora) emphasizes the beloved's immunity to the ravages of time and death. The personification of Death, unable to "brag thou wander'st in his shade," further reinforces the idea of the beloved's immortality.

The final couplet of the sonnet reveals the true source of this immortality: the poem itself. The phrase "eternal lines" carries a double meaning, referring both to the lineage of the beloved and to the lines of the poem. By declaring that the beloved will live as long as "men can breathe, or eyes can see," Shakespeare asserts the enduring power of his art. The final line, with its repetition of "this," emphasizes the self-referential nature of the poem, which becomes the very instrument of immortalization it describes.

Throughout the sonnet, Shakespeare employs a regular rhyme scheme (ABAB CDCD EFEF GG) and iambic pentameter, demonstrating his mastery of form. The structure of the poem, with its three quatrains and a couplet, allows for a logical progression of thought: from the initial comparison, through the deconstruction of summer's imperfections, to the affirmation of the beloved's eternal beauty, and finally to the declaration of poetry's power to preserve that beauty.

The poem uses many writing techniques. It gives human qualities to ideas, like summer having a lease or Death boasting. Similar sounds in words, as in 'summer's lease' and 'fair from fair,' make the poem musical. The idea of 'eternal summer' asks readers to think about two opposite things at once. These methods make the poem more interesting and meaningful.

In conclusion, Sonnet 18 is a profound meditation on the nature of beauty, love, and art. By rejecting the simple praise of comparing the beloved to a summer's day, Shakespeare creates a more complex and lasting tribute. The sonnet not only celebrates the subject's beauty but also asserts the power of poetry to transcend time and mortality. In doing so, Shakespeare reflects on the role of the poet and the enduring legacy of art, themes that continue to resonate with readers centuries after the poem's composition. The sonnet's final promise has indeed been fulfilled, as the beauty it describes continues to live through the very lines that proclaim its immortality.