It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea,
But we loved with a love that was more than love—
I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsmen came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in Heaven,
Went envying her and me—
Yes!—that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we—
Of many far wiser than we—
And neither the angels in Heaven above
Nor the demons down under the sea
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee;
For the moon never beams, without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling—my darling—my life and my bride,
In her sepulchre there by the sea—
In her tomb by the sounding sea.
Edgar Allan Poe's "Annabel Lee" is a haunting ballad that explores themes of love, death, and the supernatural, while showcasing Poe's mastery of poetic techniques and his characteristic Gothic style. The poem tells the story of two young lovers whose intense bond transcends even death, set against the backdrop of a mysterious kingdom by the sea.
The narrative structure of the poem is deceptively simple, beginning with the introduction of the titular character and the speaker's devotion to her. Poe employs a first-person perspective, immediately drawing the reader into the intimate world of the narrator's memories and emotions. The repetition of "kingdom by the sea" creates a dreamlike, almost fairy-tale atmosphere, which contrasts sharply with the tragic events that unfold.
One of the most striking aspects of the poem is its portrayal of love. The speaker describes a love that began in childhood, emphasizing its purity and intensity. The line "But we loved with a love that was more than love" suggests a connection that transcends ordinary human experience, bordering on the divine. This hyperbolic representation of love is typical of Romantic poetry, but Poe takes it further by suggesting that even celestial beings—the "wingèd seraphs of Heaven"—are jealous of this earthly passion.
The intervention of supernatural forces is a crucial element in the poem's plot. The speaker attributes Annabel Lee's death to the envy of the angels, who "coveted her and me." This personification of natural forces (the wind that "came out of a cloud, chilling") as agents of divine jealousy adds a layer of cosmic conflict to what might otherwise be a simple tale of tragic loss. It also reflects Poe's fascination with the interplay between the natural and supernatural worlds.
The poem's rhythm and sound patterns contribute significantly to its emotional impact. Poe uses a combination of anapestic and iambic feet, creating a lilting, musical quality that echoes the waves of the sea mentioned throughout the poem. The frequent internal rhymes and alliteration (e.g., "For the moon never beams, without bringing me dreams") enhance this musicality and give the poem a hypnotic, incantatory feel.
The repetition of Annabel Lee's name and phrases like "kingdom by the sea" serves multiple purposes. It creates a sense of obsession, reflecting the speaker's inability to let go of his lost love. It also contributes to the poem's ballad-like quality, making it more memorable and emotionally resonant. This repetition, combined with the regular rhyme scheme, gives the poem a circular structure that mirrors the speaker's endless devotion.
Poe's use of imagery is particularly evocative. The seaside setting, with its connotations of vastness and eternity, provides a fitting backdrop for a love that defies mortality. The contrast between the "sepulchre" and the "sounding sea" in the final lines juxtaposes death and life, stillness and motion, emphasizing the enduring nature of the speaker's love in the face of mortality.
The theme of love conquering death is central to the poem. Despite Annabel Lee's physical death, the speaker insists that their souls cannot be separated, not by angels, demons, or any other force. This defiance of cosmic powers showcases the Romantic idea of the supremacy of human emotion over divine or natural laws.
However, there's an undercurrent of darkness in this devotion. The speaker's nightly vigil by Annabel Lee's tomb suggests a refusal to accept reality and move on, bordering on necrophilia—a theme Poe explored in other works like "The Raven" and "Ligeia." This blurring of lines between love and obsession, life and death, is characteristic of Poe's Gothic style.
In conclusion, "Annabel Lee" is a masterful exploration of love's power to transcend death, told through Poe's distinctive blend of musicality, imagery, and supernatural elements. The poem's enduring appeal lies in its ability to evoke a sense of both beauty and unease, capturing the complex emotions surrounding love and loss. Through its intricate structure and evocative language, Poe creates a world where love is both a blessing and a curse, capable of defying the very laws of nature and divinity.