Reconstruct the poem by dragging each line into its correct position. You can also use the up (↑) and down (↓) arrows to move a line one place at a time, or the top (⇑) and bottom (⇓) arrows to move a line directly to the top or bottom. Your goal is to reassemble the original poem as accurately as possible. As you move the lines, you'll see whether your arrangement is correct, helping you explore the poem's flow and meaning. You can also print out the jumbled poem to cut up and reassemble in the classroom. Either way, take your time, enjoy the process, and discover how the poet's words come together to create something truly beautiful.
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Oh kind, kind folk, to the words you spoke I shut my ears and I would not hear,
When Ulick speaks of my wild-rose cheeks, and his kind love seeks out my heart that's cold,
I drank no sup and I broke no crumb of their food, but dumb at their feast sat I,
For their dancing feet and their piping sweet, now I sit and greet till I'm like to die.
There ever rings in my ear, and sings, a voice more dear and more sweet than all.
I take no care though he speaks me fair for the new love casts out the love that's old.
I take no care now for bee or bird, for a voice I've heard that is sweeter yet,
So light and true that they shake no dew from the featherfew and the Hungry grass.
And now all day what my own kin say falls sad and strange on my careless ear —
Over the broom and the canna's bloom, and I know the doom of the Ceol-Sidhe.
Cold, cold's my breast, and broke's my rest, and O it's blest to be dead I'd be,
There's many feet on the moor to-night, and they fall so light as they turn and pass,
Held safe and fast from the fairy blast, and deaf at last to the Ceol-Sidhe!
My wheel stands idle: at death or bridal apart I stand and my prayers forget.
For I'm listening, listening, all day long to a fairy song that is blown to me,
I take no care for the blessed prayer, for my mother's hand or my mother's call.
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You've successfully reconstructed the poem! Your understanding of poetry and attention to detail is impressive.
There's many feet on the moor to-night, and they fall so light as they turn and pass, So light and true that they shake no dew from the featherfew and the Hungry grass. I drank no sup and I broke no crumb of their food, but dumb at their feast sat I, For their dancing feet and their piping sweet, now I sit and greet till I'm like to die.
Oh kind, kind folk, to the words you spoke I shut my ears and I would not hear, And now all day what my own kin say falls sad and strange on my careless ear — For I'm listening, listening, all day long to a fairy song that is blown to me, Over the broom and the canna's bloom, and I know the doom of the Ceol-Sidhe.
I take no care now for bee or bird, for a voice I've heard that is sweeter yet, My wheel stands idle: at death or bridal apart I stand and my prayers forget. When Ulick speaks of my wild-rose cheeks, and his kind love seeks out my heart that's cold, I take no care though he speaks me fair for the new love casts out the love that's old.
I take no care for the blessed prayer, for my mother's hand or my mother's call. There ever rings in my ear, and sings, a voice more dear and more sweet than all. Cold, cold's my breast, and broke's my rest, and O it's blest to be dead I'd be, Held safe and fast from the fairy blast, and deaf at last to the Ceol-Sidhe!