Reconstruct the poem by dragging each line into its correct position. You can also use the up (↑) and down (↓) arrows to move a line one place at a time, or the top (⇑) and bottom (⇓) arrows to move a line directly to the top or bottom. Your goal is to reassemble the original poem as accurately as possible. As you move the lines, you'll see whether your arrangement is correct, helping you explore the poem's flow and meaning. You can also print out the jumbled poem to cut up and reassemble in the classroom. Either way, take your time, enjoy the process, and discover how the poet's words come together to create something truly beautiful.
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There is loud and dark directly under the dumb flame,
It is the sinners’ dust-tongued bell claps me to churches
Nutmeg, civet, and sea-parsley serve the plagued groom and bride
Shakes, in crabbed burial shawl, by sorcerer’s insect woken,
In a holy room, in a wave;
Over the choir minute I hear the hour chant:
Scales the blue wall of spirits;
Grief with drenched book and candle christens the cherub time
Storm, snow, and fountain in the weather of fireworks,
Ding dong from the mute turrets.
Time marks a black aisle kindle from the brand of ashes,
I mean by time the cast and curfew rascal of our marriage,
Strike the sea hour through bellmetal.
Out of the font of bone and plants at that stone tocsin
Cathedral calm in the pulled house;
At nightbreak born in the fat side, from an animal bed
From the emerald, still bell; and from the pacing weather-cock
Forever it is a white child in the dark-skinned summer
Moonfall and sailing emperor, pale as their tide-print,
And a whirlpool drives the prayerwheel;
Who have brought forth the urchin grief.
His beast heel cleft in a sandal,
Hear by death’s accident the clocked and dashed-down spire
Time’s coral saint and the salt grief drown a foul sepulchre
When, with his torch and hourglass, like a sulphur priest,
Grief with dishevelled hands tear out the altar ghost
The voice of bird on coral prays.
From blank and leaking winter sails the child in colour,
And all love’s sinners in sweet cloth kneel to a hyleg image,
And a firewind kill the candle.
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It is the sinners’ dust-tongued bell claps me to churches When, with his torch and hourglass, like a sulphur priest, His beast heel cleft in a sandal, Time marks a black aisle kindle from the brand of ashes, Grief with dishevelled hands tear out the altar ghost And a firewind kill the candle.
Over the choir minute I hear the hour chant: Time’s coral saint and the salt grief drown a foul sepulchre And a whirlpool drives the prayerwheel; Moonfall and sailing emperor, pale as their tide-print, Hear by death’s accident the clocked and dashed-down spire Strike the sea hour through bellmetal.
There is loud and dark directly under the dumb flame, Storm, snow, and fountain in the weather of fireworks, Cathedral calm in the pulled house; Grief with drenched book and candle christens the cherub time From the emerald, still bell; and from the pacing weather-cock The voice of bird on coral prays.
Forever it is a white child in the dark-skinned summer Out of the font of bone and plants at that stone tocsin Scales the blue wall of spirits; From blank and leaking winter sails the child in colour, Shakes, in crabbed burial shawl, by sorcerer’s insect woken, Ding dong from the mute turrets.
I mean by time the cast and curfew rascal of our marriage, At nightbreak born in the fat side, from an animal bed In a holy room, in a wave; And all love’s sinners in sweet cloth kneel to a hyleg image, Nutmeg, civet, and sea-parsley serve the plagued groom and bride Who have brought forth the urchin grief.