You see the border of her dress
Eaten smooth, and polished
The lamp hummed:
So the hand of a child, automatic,
She is alone
Half-past two,
Midnight shakes the memory
The street lamp sputtered,
Gripped the end of a stick which I held him.
Twelve o'clock.
You have the key,
Beats like a fatalistic drum,
And female smells in shuttered rooms,
Who hesitates towards you in the light of the door
That cross and cross across her brain.'
I could see nothing behind that child's eye.
The lamp sputtered,
Memory!
And a crab one afternoon in a pool,
'Remark the cat which flattens itself in the gutter,
I have seen eyes in the street
Whispering lunar incantations
Is torn and stained with sand,
The secret of its skeleton,
The reminiscence comes
Every street lamp that I pass
Half-past one,
The last twist of the knife.
A broken spring in a factory yard,
'Regard the moon,
The moon has lost her memory.
And you see the corner of her eye
The lamp said,
Trying to peer through lighted shutters,
Of sunless dry geraniums
Held in a lunar synthesis,
And devours a morsel of rancid butter.'
Twists like a crooked pin.'
La lune ne garde aucune rancune,
An old crab with barnacles on his back,
Slips out its tongue
Rust that clings to the form that the strength has left
Here is the number on the door.
Her hand twists a paper rose,
A twisted branch upon the beach
And dust in crevices,
As a madman shakes a dead geranium.
And cigarettes in corridors
And all its clear relations,
Mount.
As if the world gave up
'Four o'clock,
The street lamp said, 'Regard that woman
Slipped out and pocketed a toy that was running along the quay.
She smoothes the hair of the grass.
The lamp muttered in the dark.
Stiff and white.
The street lamp said,
And cocktail smells in bars.
Which opens on her like a grin.
Half-past three,
With all the old nocturnal smells
That smells of dust and old Cologne,
The memory throws up high and dry
A crowd of twisted things;
Along the reaches of the street
Its divisions and precisions,
Hard and curled and ready to snap.
The little lamp spreads a ring on the stair,
A washed-out smallpox cracks her face,
She winks a feeble eye,
And through the spaces of the dark
The bed is open; the tooth-brush hangs on the wall,
Smells of chestnuts in the streets,
Dissolve the floors of memory
She smiles into corners.
Put your shoes at the door, sleep, prepare for life.'
The street lamp muttered,