Poetry Glossary

A comprehensive glossary of 31,156 literary terms, poetic forms, devices, characters, places, ideas, concepts, and more.

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Waabizheshi Details

Mythology
AKA:
MartenWeasel
An Ojibwe term for the marten, a respected clan animal and spirit symbolizing agility, cunning, and survival.
Waabizheshi is the Ojibwe term for marten, a clever, agile animal honored in clan systems and stories as a teacher of strategy and adaptability. In poetry, Waabizheshi symbolizes resourcefulness, quick thinking, and the wisdom of small predators, often invoked in verses about survival, cunning, and the sacred lessons of the northern forests in Anishinaabe life.
Example: Waabizheshi, the Ojibwe marten, darts through poems as the clever trapper’s teacher; A verse shows Waabizheshi showing humans which snares honor the animal’s spirit; Poets use Waabizheshi to explore reciprocity: “He gives his pelt only to those who thank him”; In ecological poetry, his tracks mark healthy forests; His eyes become lanterns in verse—piercing darkness with ancestral sight.
Notes: Waabizheshi is the Ojibwe word for “marten,” an animal associated with agility and the fur trade; in some stories, Marten is a minor trickster or helper—poets should use Waabizheshi with linguistic accuracy and recognize its role in clan systems and ecological relationships, not as a generic forest creature.

Waban Details

Mythology
AKA:
Dawn ManEast Wind
In Algonquian languages, "Waban" means "east" or "dawn," symbolizing beginnings, light, and spiritual awakening.
Waban is an Algonquian root meaning “east” or “dawn,” used in names like Wabanaki (“People of the Dawn”). It symbolizes new beginnings and illumination. In poetry, Waban evokes the promise of a new day, the direction of origin, and the spiritual significance of the east in ceremonial life, often used to explore themes of hope, emergence, and the cyclical nature of time in Eastern Woodlands cosmology.
Example: Waban, the Abenaki east wind, breathes through poems as the gentle herald of spring; A verse describes Waban melting ice with songs of returning geese; Poets use Waban to symbolize new beginnings: “He carries the first green on his breath”; In seasonal poetry, his arrival marks sugarbush ceremonies; His breeze becomes a lullaby in verse—soft but stirring life.
Notes: Waban means “east” or “dawn” in Algonquian languages and gives name to the Wabanaki (“People of the Dawnland”); it symbolizes beginnings and light—poets can use Waban to evoke hope or origin, but should connect it to the Wabanaki Confederacy’s living cultures and creation stories involving Gluskabe and the first sunrise.

Wabi-Sabi Lyric Details

Genre
AKA:
Imperfect Beauty VerseTransience Poetry
Poetry embracing imperfection, impermanence, and humble beauty as aesthetic principles
Wabi-sabi lyric embodies the Japanese aesthetic of wabi-sabi—finding beauty in imperfection, impermanence, and simplicity—through sparse language, asymmetrical form, and humble imagery that honors transience, solitude, and the quiet dignity of the ordinary.
Example: “Cracked teacup holds morning light— / beauty in the broken seam” — finds grace in imperfection; Matsuo Bashō’s “old pond / frog jumps in / sound of water” embodies transient stillness; Contemporary example: “Frayed quilt, faded photo— / love lingers in the mended tear”
Notes: Poetry embracing imperfection, transience, and rustic simplicity. Japanese aesthetic concept. Related to Zen poetry tradition. Values asymmetry and natural aging over polished perfection.

Wadi Details

Landscape
AKA:
Dry RiverbedArroyoWashNullah
A dry riverbed or valley that may fill suddenly after rain. It is common in arid regions.
A wadi is a channel or valley that remains dry for long periods but can become a swift watercourse after storms. In poetry, its empty bed records absence as clearly as flow: cracked mud, stones, thorn trees, and old flood marks speak of water no longer present. The possibility of sudden rain gives the landscape tension and drama. A wadi can symbolize endurance in scarcity, dormant energy, and the way a place remembers forces not currently visible.
Example: The dry wadi twisted through the desert, its stones polished by floods that came only in winter; A wadi can introduce contrast between apparent barrenness and the hidden force of seasonal water; After the storm, the wadi became a rushing brown river, startling the speaker who had known it only as dust; The poet follows camel tracks along the wadi to show how people read a difficult landscape for signs of survival
Notes: A wadi is a valley, channel, or dry riverbed characteristic of arid and semi-arid regions, especially in Arabic geographical terminology. It may remain dry for long periods yet carry powerful flash floods after heavy rain, making apparent emptiness potentially deceptive. In poetry this alternation can support imagery of drought and sudden abundance, dormancy and transformation, danger and renewal. The word also appears frequently in Middle Eastern place names. Compare arroyo, ravine, dry wash, riverbed, flash flood, desert, erosion, oasis, seasonal watercourse, and arid landscape.

Wadjet Details

Mythology
AKA:
WadjitUtoWadjet The Eye Of HorusLady Of Lower EgyptWadjet The Cobra
Cobra goddess of Lower Egypt, protector of the pharaoh and the sun god
Wadjet, “the green one,” appears as the Uraeus and guides the sun barque. She is the eye of Ra and a symbol of sovereignty. In poetry, she symbolizes vigilant protection, the fiery defense of order, and the nurturing yet deadly power of the cobra—frequently used in regal or protective contexts.
Example: A poem structured in a tight, formal pattern but filled with images of paranoia, hidden threats, and espionage, reflecting the tension of the Cold War; Imagery of the Berlin Wall, ICBMs, or the nuclear arms race as symbols of global division and mutual assured destruction (MAD); A dramatic monologue from a scientist or a spy, expressing moral conflict and existential dread; A poem using abstract, minimalist language to convey the feeling of living under an omnipresent, invisible threat.

A royal poem: "Wadjet the Cobra rears on the pharaoh’s forehead, symbol of Lower Egypt"; In mythic verse: "Wadjet the Cobra nurses Horus in the papyrus marshes, hidden from Seth"; Another line: "Temples honor Wadjet the Cobra as ‘Eye of Ra,’ fierce and protective"; A symbolic use: "My sovereignty is Wadjet the Cobra—alert, authoritative, life-preserving"; In lyrical tone: "Stars reflect in Wadjet the Cobra’s eyes, watching over the delta"; A devotional poem: "O Wadjet the Cobra, let your presence guard my home".
Notes: Wadjet is the cobra goddess of Lower Egypt, protector of the pharaoh, and one of the Two Ladies of kingship—her eye is the uraeus—poets can use Wadjet to explore vigilant guardianship, the north as fertile domain, or the serpent as symbol of sovereignty and wrath.

Wadjet the Cobra highlights her role in the myth of the Eye of Ra, where she returns to the sun god after rebellion—this supports poems on loyalty restored, the protective gaze, or the cobra as both threat and shield.

Wae Details

Dialect
AKA:
Wae-Luiking (Sorrowful-looking)Wae-Gaen (far Gone In Grief)Wae-HeartedWae-BegoneWae-FuWae-SomeWae-WearyWae-Crie (cry Of Woe)Wae-Lament
Woeful, sorrowful, or deeply grieved; also used as a noun for grief itself.
"Wae" is one of the most emotive words in Scots, conveying a piercing, almost physical anguish. In Elliot's poem, the lasses are "dowie and wae," and the refrain "Dool and wae" opens the explicit historical stanza. The word appears throughout Scottish folk song and elegy, often in keening contexts, and its clipped, monosyllabic force makes it punchy yet resonant. It implies not just sadness but a sorrow that affects daily functioning—a heaviness of spirit. In poetry, "wae" often pairs with "dool" to create an alliterative, rhythmic expression of mourning, and its recurring use anchors the emotional register of lament.
Example: wae|"The lasses are lonely, and dowie, and wae" (Jean Elliot, "A Lament for Flodden") uses "wae" to express the deep, pervasive sorrow of the young women, linking the word to both personal grief and the community's collective despair.; "Dule and wae to the order, sent our lads to the border!" (Jean Elliot, "A Lament for Flodden") uses "wae" in a curse-like exclamation, directing grief and condemnation at the command that caused such loss.; "Oh wae be to the orders that marched my luve awa'" (from "Wae be to the orders") uses "wae" to lament the military orders that took a beloved away, showing the word's power in personal, romantic grief.; "O, wae's me ! what a strange, strange place Is this wee spot o' ground" (from a poem) uses "wae's me" as a conventional exclamation of sorrow, showing how the word functions as both an expression and a ritual of mourning.; "My hearth is growing cauld ... To ane sae wae and lane" (from a Scottish song) pairs "wae" with "lane" (lonely) to create a portrait of desolate, isolated grief.
Notes: "Wae" is one of the most emotionally potent words in the Scots lexicon, carrying connotations of deep, piercing grief, sorrow, and woefulness that go far beyond the English "sad." The word functions both as an adjective ("wae heart") and as a noun ("dool and wae"), and its short, open vowel and final soft consonant give it a sound that is both direct and infinitely mournful. In Elliot's "A Lament for Flodden," the lasses are "dowie and wae," and the exclamation "Dool and wae" launches the poem's explicit historical condemnation, using the word's incantatory power to express grief and anger simultaneously. For poetry students, "wae" offers a masterclass in how a single word can carry immense emotional weight, sounding exactly like the sorrow it describes. The term appears in countless Scottish laments, elegies, and folk songs, often in the formulaic pairing with "dool" to create a rhythm of mourning. Its usage in the exclamation "Wae's me!" (Woe is me!) shows how the word functions as both a descriptive term and an interjection of despair. In teaching, encouraging students to compare "wae" with English equivalents like "sad," "sorrowful," or "woeful" reveals how Scots vocabulary often offers sharper, more visceral alternatives that ground emotion in the body and the voice, making grief feel immediate and inescapable.

Waesome Details

Dialect
AKA:
WoefulSorrowfulMournful
Waesome is an archaic Scottish and dialectal adjective meaning sorrowful, woeful, or full of woe, often describing something that causes or expresses deep sadness and lamentation.
In poetry, particularly in 19th-century works drawing on regional dialects, "waesome" evokes a profound, plaintive grief that feels both personal and elemental. It intensifies descriptions of mourning or melancholy, lending emotional weight and a sense of authenticity rooted in spoken vernacular. The term carries nuances of weariness mixed with woe, distinguishing it from milder synonyms like "sad" by implying a heavier, more burdensome sorrow that resonates with loss or hardship. Its use in literary contexts, such as Gerald Massey's "Dirge," heightens the contrast between vitality and desolation, making abstract emotions viscerally tangible for readers. This archaic flavor preserves cultural linguistic heritage while allowing poets to access a richer, more expressive palette for themes of mortality and human frailty.
Example: In Gerald Massey's "Dirge," the line "O human tree; / Waesome wailing tree;" employs "waesome" to transform the tree into a grieving entity rocking in the winter wind, vividly conveying the shift from joyful abundance to mournful decay over a grave-mound.
Notes: Historical context or origin: "Waesome" derives from Scots "wae" (woe), with roots in Old English and Germanic terms for grief; it appears frequently in Scottish ballads, Romantic-influenced poetry, and 19th-century dialect literature as part of a broader effort to preserve regional voices amid standardization of English. Related terms or variations: Closely related to "waeful," "wailful," or "woesome"; contrasts with more neutral modern terms like "sorrowful" by carrying stronger dialectal and emotional intensity. Common usage tips or pitfalls to avoid: Best used sparingly in contemporary poetry to evoke historical or regional atmosphere—overuse can feel affected; ensure contextual clarity, as unfamiliar readers may require glossing. Cross-references: See also "archaic term," "dialect," and "personification" for its role in enhancing lyrical mourning. Etymology: From "wae" (woe) + "-some" (characterized by), common in Scots for forming adjectives denoting abundance of a quality (e.g., "fearsome," "irksome").

Wag Details

Archaic Terms
AKA:
JesterWitMerry Andrew
A witty or mischievous person; in archaic poetry, a figure of humor, cleverness, and trickery.
In poetic contexts, a wag is a source of humour and social disruption. Poets used the term to celebrate cleverness, irony, and playful subversion. Wags often expose pretension or rigidity, allowing poets to value wit as a form of intelligence and social critique.
Example: The wag pricks pomp with well-aimed jest; Poets cherish the wag who speaks sideways truth; His humour frees thought from fear; The wag laughs last and longest
Notes: Wag denotes wit used as social critique. Poets value wags for their ability to puncture pretension through humour. The term often carries approval, suggesting intelligence rather than folly. Wags exemplify poetry’s tradition of using laughter as a tool of truth.

Wage Details

Economics
AKA:
PayRemuneration
Payment given to a worker for labor, usually by the hour, day, or task.
A wage is compensation paid to workers in return for their time, skill, and effort. It is a powerful poetic measure because it translates hours of life into a stated sum. Poems may contrast a wage with the real costs of rent, food, childcare, illness, and rest, or explore the emotional weight of payday, unpaid work, wage theft, and the dignity of earning a living.
Example: A worker’s poem can make a wage concrete through an hourly total that fails to cover rent and food; In a love poem, “the wage of longing” can mean the emotional price paid for desire; Elizabeth Barrett Browning’s “The Cry of the Children” is a useful example of poetry confronting exploited child workers; A poem can contrast a rising executive salary with a stagnant wage for those who do the daily work
Notes: A wage is payment for work, often calculated hourly or by task. Compare salary, a fixed regular payment, and minimum wage, a legal floor for many workers.

Wages Details

Archaic Terms
AKA:
RecompenseEmolumentRemunerationDue Reward
Compensation or reward, often for work or effort; can imply a cost or consequence.
In the poem, 'wages' refers to the outcomes or results of one's actions, particularly in the context of sorrow and labor. It suggests that the characters have earned their suffering through their experiences, a common theme in literature that explores the relationship between effort and consequence.
Example: Wages their woe had earned, Rest from the labour grim recompense; enhanced: "Wages their woe... rest earned"; biblical: "Wages of sin"; contemporary: "Wages of toil"; educational: "Wages reward in labor verse"; "Grim labour's wages."
Notes: The term 'wages' underscores the idea of earning one's suffering, adding depth to the poem's exploration of labor and sorrow.; Found in the poem, The Seeker by James Stephens

Waggon Details

Farming
AKA:
Wagon
A waggon is a four-wheeled vehicle used to transport crops, hay, livestock, or other heavy farm loads.
The farm waggon, traditionally drawn by horses or oxen, carried harvests, tools, manure, families, and goods between field, farmstead, and market. Its broad wheels, wooden body, and slow progress are characteristic images of pre-motor rural life. In poetry, a loaded waggon suggests abundance and communal achievement, while its creaking journey can establish a measured pastoral rhythm. Empty, broken, or obsolete waggons may evoke decline, migration, or nostalgia for labour once shared by people and animals.
Example: A waggon piled high with hay can symbolise harvest abundance and shared labour; Its slow wheels can establish a measured rural rhythm; A family leaving in a waggon may evoke migration and separation from the land; A broken waggon may represent poverty, technological change, or the end of an older agricultural world.
Notes: Waggon is the traditional British spelling of a heavy four-wheeled farm vehicle, though wagon is now more common in many contexts. Horse- or ox-drawn waggons carried hay, grain, livestock, families, and market goods. In poetry, their slow movement and creaking wheels evoke an older rural rhythm. Students should distinguish them from lighter carts and low drays. Related terms include cart, dray, wheel, axle, load, harvest, horse, ox, and transport.

Waggonette Details

Noun
AKA:
CarriageSmall CoachLight VehiclePony Cart
A light, four-wheeled carriage, often used for transporting passengers.
A waggonette is a type of light carriage that typically has four wheels and is designed for carrying passengers. It is often drawn by horses and was popular in the 19th century for leisurely travel. In the context of Hardy's poem, the mention of the waggonette evokes a sense of nostalgia and the passage of time, as the speaker reflects on a moment from the past.
Example: “The drizzle bedrenches the waggonette” places a light horse-drawn carriage in a wet landscape; a waggonette typically carried several passengers on facing seats; “The waggonette jolted past the hedges, bright with rain” supplies period travel detail; in a Victorian or Edwardian scene, the vehicle can suggest excursion, class, or a world before motorcars
Notes: The term 'waggonette' is not commonly used in modern English, making it unfamiliar to many readers.; Found in the poem, At Castle Boterel by Thomas Hardy

Wagner Details

Literary Character
AKA:
Wilhelm WagnerFaust’s Wagner
Faust’s scholarly companion and later Mephistopheles’ assistant in Goethe
Wagner represents dry academicism and the limitations of rational knowledge, contrasting Faust’s passionate quest. In poetry, he appears as the foil to the Romantic genius, symbolizing the sterility of mere scholarship, the bureaucratic mind, and the cautionary figure of unambitious intellect.
Example: Wagner in Goethe’s "Faust Part II" is the scholarly foil to Faust’s ambition, representing dry rationality; Though a minor character, Wagner symbolizes the limitations of purely academic knowledge; Later poets reference Wagner to critique sterile intellectualism versus lived experience; His name becomes shorthand for the uninspired scholar in poetic drama.
Notes: Wagner, in Goethe’s "Faust," is Faust’s rational, scholarly assistant; though minor, his literary character embodies Enlightenment empiricism, contrasting Faust’s metaphysical yearning—useful for analyzing how secondary figures function as ideological foils in poetic drama.

Wagon Details

Transport
AKA:
WaggonWain
A four-wheeled vehicle used for carrying people, supplies, or agricultural goods.
The wagon is a flexible poetic emblem of work, migration, childhood, and burden. Its creaking wheels can cross farms, battlefields, deserts, or roads of settlement, carrying possessions that define what a family hopes to keep. A child’s wagon may suggest play and innocence, while a covered wagon can evoke perilous expansion and displacement. Poets often use the wagon’s slowness to emphasize the physical cost of travel and the endurance required to move a life from one place to another.
Example: The wagon creaked across the prairie, carrying quilts, tools, and a family’s future; Use wagon to evoke migration, rural labor, childhood play, or historical journeys; An empty wagon in a field can suggest abandonment after harvest or departure; The wagon’s wooden wheels remembered every stone in the road
Notes: A wagon is a practical four-wheeled vehicle, often drawn by animals. It may suggest migration, farming, labor, childhood play, or the carrying of supplies and memories.

Wagram Details

Battles
AKA:
Battle Of Wagram
A 1809 Napoleonic victory over Austria, leading to the Treaty of Schönbrunn and French dominance in Central Europe.
Wagram was one of the largest battles of the Napoleonic Wars. In poetry, it symbolizes the peak of imperial ambition and the cost of continental control—appearing in European verse as a moment of pyrrhic triumph, where victory was measured in thousands of dead and the uneasy peace that followed foreshadowed the coming coalition that would bring the empire down.
Example: Wagram, 1809 Napoleon’s victory, appears in French and Austrian poetry as last grand triumph before decline; A modern sonnet might frame Wagram’s Marchfeld as stage for imperial will; In a dramatic monologue, an Austrian conscript recalls the two-day thunder at Wagram; A free-verse elegy could mourn the 75,000 lost in Wagram’s summer heat; Contemporary poets use Wagram to reflect on the cost of prolonged dominance; A haiku might capture Danube mist lifting after Wagram’s guns fall silent.
Notes: Wagram (1809) reaffirmed Napoleon’s dominance after Aspern-Essling and led to the Treaty of Schönbrunn; in Napoleonic poetry, it represents resilience and strategic recovery, though its massive casualties hint at the diminishing returns of endless campaigning.

Waif Details

Archaic Terms
AKA:
StrayOrphanForsaken Child
A waif is a person, especially a child, who is homeless or abandoned, often evoking sympathy.
The word waif traditionally refers to a homeless or abandoned person, often a child, and carries connotations of vulnerability and fragility. In the context of the poem, the speaker identifies as a 'waif on the somnolent lake,' suggesting feelings of isolation and longing for belonging amidst the tranquil yet desolate setting.
Example: In older usage, a waif is a stray, abandoned, or homeless person, especially a child: “a waif on the somnolent lake”; Dickens’s Oliver Twist helped establish the cultural image of the urban waif, though his work is prose rather than poetry; “The streetlamp found a waif asleep beside the market gate” uses the term’s vulnerable social meaning; Contemporary writers may use waif cautiously, since its sentimental tone can reduce a person to helplessness
Notes: The speaker's identification as a 'waif' highlights their sense of loneliness and disconnection from the world.; Found in the poem, In the Past by Trumbull Stickney

Wailful Details

Adjective
AKA:
MournfulLamentingSorrowfulWoeful
Expressing sorrow through mournful crying or wailing; conveys deep grief, melancholic music, or lamenting winds in elegiac poetry.
Wailful is a rare poetic adjective meaning sorrowful or sounding like a wail. Keats uses it to give the autumn scene a faintly mournful tone as the day fades and the insects sing.
Example: “Then in a wailful choir the small gnats mourn” gives wailful to the insects’ sound, making it sorrowful and lamenting; “Wailful” intensifies ordinary crying into an atmosphere of grief; “A wailful siren crossed the sleepless blocks” transfers the adjective to modern urban sound; “The wailful wind worried the eaves” personifies weather as a mourner
Notes: The adjective in the evidence is uncommon in modern usage and may prompt readers to look it up.; Found in the poem, To Autumn by John Keats

Wailing Details

World Religion
AKA:
LamentKeeningMourning
Loud, mournful cries of grief or lamentation, often associated with communal mourning or penitence.
The "Wailing Wall" (Western Wall) in Jerusalem is a site where Jews mourn the destruction of the Temples. Wailing is a raw, physical expression of deep sorrow, repentance, or despair. In poetry, wailing gives voice to the profound grief of exile, loss, and the soul's sense of separation from God. It is the sound of unvarnished human suffering offered up to the divine, a communal and cathartic expression of pain that stands in stark contrast to silent contemplation, representing the passionate side of religious devotion.
Example: In Jewish poetry, Wailing Wall holds tears: “Stone shoulders—Wailing, prayers of centuries”; In biblical lament, Wailing is raw grief: “Rachel weeps—Wailing for children, no comfort”; In contemporary verse, Wailing is protest: “March’s cry—Wailing against injustice”; Poets sanctify Wailing: “Not shame—Wailing, honest language of loss.”
Notes: Wailing appears in religious lament—from the Wailing Wall (Kotel) in Jerusalem to the cries of mourners in Ashura processions; it expresses communal grief, repentance, or longing for divine presence; poets harness wailing’s raw sonic power to convey unfiltered emotion, often contrasting it with silence or song to explore the full spectrum of sacred expression.

Wailing Verse Details

Genre
AKA:
DirgeWailing PoemLament VerseKeening VerseUlulation Verse
Poetry of lamentation or expressive grief, often in a keening style
Wailing verse is poetry characterized by lamentation, keening rhythms, and raw emotional outcry, often using repetition, exclamations, and irregular meter to mimic the sound of grief; rooted in elegiac and oral mourning traditions, it gives voice to profound loss or injustice.
Example: Lament poetry using repetitive cries: “O woe! O woe!”; Biblical psalms of mourning: “How long, O Lord?”; Irish keenings adapted into verse; A poem using onomatopoeic wails: “Ah-ee-ah-ee-ah”
Notes: Wailing verse: Poetry that expresses deep, prolonged grief, lamentation, or despair; synonymous with threnody or elegy, often characterized by strong, mournful imagery and an emotional tone of sorrow.

Wain Details

Archaic Terms
AKA:
WagonCartChariotCarriage
A farm wagon or cart for transporting goods, especially heavy agricultural loads; also used poetically for the Big Dipper constellation (Charles's Wain).
"Wain" derives from Old English "wægn" (wagon), referring to large farm carts for transporting hay, crops, or goods. Pastoral and agricultural poetry employed it when depicting rural life and farm labor where specific vehicle types mattered. The term's astronomical usage—Charles's Wain for the Big Dipper constellation—added celestial associations to its terrestrial meaning. Poets valued this dual reference, connecting earthly agricultural labor to heavenly patterns. The word appears in contexts of harvest, rural transport, and pastoral life where specific agricultural vocabulary created authentic rural atmosphere. Its archaic quality distinguished poetic from prosaic vocabulary—"wain" elevated mere wagons to literary status. The celestial association enriched its symbolic potential, connecting humble agricultural equipment to cosmic order. The term exemplifies how agricultural vocabulary enriched literary language while astronomical nomenclature preserved practical terms in celestial contexts, creating layered meanings spanning earth and sky.
Example: A farm wagon or cart, often used poetically for the constellation Charles's Wain; The hay wain creaked slowly down the rutted lane; Constable's famous painting "The Hay Wain" inspired numerous poems; The wain bore the harvest home beneath the autumn moon; Milton refers to the celestial wain among the stars; Hardy describes the wain loaded high with golden sheaves
Notes: A “wain” is a large cart or wagon, traditionally used for farm labour, and poetically for the constellation Ursa Major (“Charles’s Wain”). Poets employ it to evoke rustic life, toil, or celestial imagery, depending on context. The term bridges earthly and cosmic themes, reflecting humanity’s connection to both labour and the stars.
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