Want to track your favorites? Reopen or create a unique username. No personal details are required!
If I have suffered pain
It is because I would.
I willed it. ’Tis no good
To murmur or complain.
I have not served the law
That keeps the earth so fair
And gives her clothes to wear
Raiment of joy and awe.
For all that bow to bless
That law shall sure abide.
But man shall not abide,
And hence his gloriousness.
Lo, evening earth doth lie
All-beauteous and all peace.
Man only does not cease
From striving and from cry.
Sun sets in peace: and soon
The moon will shower her peace.
O law-abiding moon,
You hold your peace in fee!
Man, leastways, will not be
Down-bounden to these laws.
Man’s spirit sees no cause
To serve such laws as these.
There yet are many seas
For man to wander in.
He yet must find out sin,
If aught of pleasance there
Remain for him to store,
His rovings to increase,
In quest of many a shore
Forbidden still to fare.
Peace sleeps the earth upon,
And sweet peace on the hill.
The waves that whimper still
At their long law-serving
(O flowing sad complaint!)
Come on and are back drawn.
Man only owns no king,
Man only is not faint.
You see, the earth is bound.
You see, the man is free.
For glorious liberty
He suffers and would die.
Grudge not then suffering
Or chastisemental cry.
O let his pain abound,
Earth’s truant and earth’s king!
Charles Sorley’s If I have suffered pain is a striking meditation on human suffering, free will, and the defiance of natural order. Written during the tumultuous early 20th century, the poem grapples with existential questions about man’s place in the universe, contrasting human restlessness with the serene obedience of nature. Sorley, a young soldier who died in World War I, infuses his verse with a sense of urgency and tragic nobility, reflecting both personal and collective struggles. This essay explores the poem’s historical and cultural context, its literary devices, central themes, and emotional impact, while also considering philosophical and comparative perspectives.
Sorley wrote this poem against the backdrop of World War I, a period marked by unprecedented violence and disillusionment. Born in 1895, Sorley was a promising poet whose life was cut short at the age of 20 when he was killed in action at the Battle of Loos in 1915. His poetry, though not as widely known as that of Wilfred Owen or Siegfried Sassoon, carries a profound philosophical weight, grappling with themes of fate, suffering, and human agency.
The early 20th century was a time of rapid change—scientific advancements, the erosion of religious certainty, and the mechanized brutality of war all contributed to a crisis of meaning. Sorley’s poem reflects this existential anxiety, positioning humanity as both rebellious and tragic, refusing to submit to the passive harmony of nature. The poem’s tone—resolute yet mournful—captures the spirit of a generation that was both idealistic and doomed.
Sorley employs a range of literary devices to convey his meditation on human suffering and defiance.
The poem thrives on paradoxes, most notably in the juxtaposition of human suffering and freedom. The opening lines—"If I have suffered pain / It is because I would. / I willed it."—suggest agency in suffering, a deliberate embrace of pain rather than passive victimhood. This contrasts sharply with the natural world, which "serves the law" (line 5) and exists in serene submission.
The earth is described as "all-beauteous and all peace" (line 12), while man "does not cease / From striving and from cry" (lines 13-14). This tension between human restlessness and nature’s tranquility underscores the poem’s central conflict.
Sorley personifies nature to emphasize its docility in contrast to human defiance. The moon is "law-abiding" (line 17), the waves "whimper" (line 25) in obedience, and the earth is "bound" (line 33). These images create a vivid dichotomy between the deterministic universe and human free will.
The repetition of "peace" (lines 12, 21, 29) reinforces nature’s stillness, while the imperative "Grudge not then suffering" (line 35) commands acceptance of pain as the price of freedom. The poem’s rhetorical force lies in its insistence that suffering is not merely inevitable but necessary for human greatness.
The poem opens with a bold assertion: suffering is willed. Unlike the passive earth, which follows divine or natural law without question, humans choose their pain. This aligns with existentialist thought—later articulated by philosophers like Sartre—that emphasizes radical freedom and responsibility. Sorley suggests that suffering is not imposed but embraced, a mark of human distinction.
Nature in the poem is depicted as obedient and harmonious. The earth wears "raiment of joy and awe" (line 8), the moon "holds her peace in fee" (line 19), and even the waves, though they "whimper," submit to their cyclical fate. In contrast, man "owns no king" (line 31) and refuses to be "down-bounden" (line 20). This defiance is both tragic and glorious—man’s refusal to accept peace makes him suffer, but it also makes him free.
Sorley’s vision of mankind is both heroic and melancholic. Man is "earth’s truant and earth’s king" (line 36)—a wanderer who disobeys yet reigns. This echoes Romantic ideals of the sublime, where suffering elevates rather than diminishes the human spirit. The poem suggests that true greatness lies in rebellion, even if it leads to pain.
The poem’s emotional power derives from its tension between resignation and exaltation. There is sorrow in the acknowledgment of inevitable suffering, but also pride in human resistance. The final lines—"O let his pain abound, / Earth’s truant and earth’s king!"—ring with a tragic grandeur, celebrating humanity’s flawed nobility.
For a reader familiar with Sorley’s fate, the poem takes on added poignancy. His death in war lends weight to the idea of suffering as a chosen path, a defiance of passive existence. The poem becomes not just a philosophical statement but a personal testament.
Sorley’s poem resonates with other works that explore human defiance of cosmic order.
Comparison to Romantic Poetry: Wordsworth’s "The World Is Too Much With Us" similarly contrasts human discontent with nature’s harmony, though Wordsworth laments man’s alienation, while Sorley celebrates it as a mark of greatness.
Existentialist Parallels: Camus’ Myth of Sisyphus presents man’s struggle as absurd yet dignified—a sentiment echoed in Sorley’s insistence on suffering as a form of rebellion.
War Poetry Context: Unlike Owen’s visceral depictions of war’s horrors, Sorley’s poem is more abstract, focusing on metaphysical suffering rather than physical carnage.
If I have suffered pain is a profound meditation on human agency, suffering, and defiance. Sorley’s contrast between man’s restless spirit and nature’s passive beauty creates a compelling vision of tragic heroism. Written in the shadow of war, the poem transcends its historical moment, speaking to universal questions of freedom, pain, and meaning. Its emotional resonance lies in its unflinching acceptance of suffering as the price of liberty—a sentiment that remains deeply moving over a century after its composition.
Sorley’s voice, though cut short, endures in this poem as a testament to human resilience. In declaring that man "only is not faint" (line 32), he captures both the agony and the glory of the human condition.
This text was generated by AI and is for reference only. Learn more