To March
Emily Dickinson
1830 to 1886
Dear March, come in!
How glad I am!
I looked for you before.
Put down your hat —
You must have walked —
How out of breath you are!
Dear March, how are you?
And the rest?
Did you leave Nature well?
Oh, March, come right upstairs with me,
I have so much to tell!
I got your letter, and the birds';
The maples never knew
That you were coming, — I declare,
How red their faces grew!
But, March, forgive me —
And all those hills
You left for me to hue;
There was no purple suitable,
You took it all with you.
Who knocks? That April!
Lock the door!
I will not be pursued!
He stayed away a year, to call
When I am occupied.
But trifles look so trivial
As soon as you have come,
That blame is just as dear as praise
And praise as mere as blame.
Emily Dickinson's To March
We are busy working to bring Emily Dickinson's "To March" to life through our unique musical arrangements and will have a full analysis of the poem here for you soon.
At V2Melody, each arrangement is crafted with care through a thoughtful partnership of human artistry and technological innovation. This process involves:
- Deep analysis of the poem's rhythm, structure, and emotional essence
- Careful selection of musical styles that enhance the poem's unique voice
- Balancing traditional poetic expression with contemporary sound landscapes
- Multiple revisions to ensure the arrangement honors the poet's original vision
This creative journey takes time—each composition represents hours of dedicated work to create something that deepens our connection to Emily Dickinson's words in meaningful ways.
While you wait for our complete interpretation, we invite you to explore other musical arrangements in our gallery or learn more about Emily Dickinson's life and contributions to literature.
Check back soon to experience how "To March" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.