Killed at the Ford

Henry Wadsworth Longfellow

1807 to 1882

Poem Image

We are working on musical arrangements of Killed at the Ford by Henry Wadsworth Longfellow and they will be published on a date yet to be decided.

He is dead, the beautiful youth,
The heart of honor, the tongue of truth,
He, the life and light of us all,
Whose voice was blithe as a bugle-call,
Whom all eyes followed with one consent,
The cheer of whose laugh, and whose pleasant word,
Hushed all murmurs of discontent.

Only last night, as we rode along,
Down the dark of the mountain gap,
To visit the picket-guard at the ford,
Little dreaming of any mishap,
He was humming the words of some old song:
"Two red roses he had on his cap,
And another he bore at the point of his sword."

Sudden and swift a whistling ball
Came out of a wood, and the voice was still;
Something I heard in the darkness fall,
And for a moment my blood grew chill;
I spake in a whisper, as he who speaks
In a room where some one is lying dead;
But he made no answer to what I said.

We lifted him up to his saddle again,
And through the mire and the mist and the rain
Carried him back to the silent camp,
And laid him as if asleep on his bed;
And I saw by the light of the surgeon's lamp
Two white roses upon his cheeks,
And one, just over his heart, blood-red!

And I saw in a vision how far and fleet
That fatal bullet went speeding forth,
Till it reached a town in the distant North,
Till it reached a house in a sunny street,
Till it reached a heart that ceased to beat
Without a murmur, without a cry;
And a bell was tolled, in that far-off town,
For one who had passed from cross to crown,
And the neighbors wondered that she should die.

Henry Wadsworth Longfellow's Killed at the Ford

We are busy working to bring Henry Wadsworth Longfellow's "Killed at the Ford" to life through our unique musical arrangements and will have a full analysis of the poem here for you soon.

At V2Melody, each arrangement is crafted with care through a thoughtful partnership of human artistry and technological innovation. This process involves:

  • Deep analysis of the poem's rhythm, structure, and emotional essence
  • Careful selection of musical styles that enhance the poem's unique voice
  • Balancing traditional poetic expression with contemporary sound landscapes
  • Multiple revisions to ensure the arrangement honors the poet's original vision

This creative journey takes time—each composition represents hours of dedicated work to create something that deepens our connection to Henry Wadsworth Longfellow's words in meaningful ways.

While you wait for our complete interpretation, we invite you to explore other musical arrangements in our gallery or learn more about Henry Wadsworth Longfellow's life and contributions to literature.

Check back soon to experience how "Killed at the Ford" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.

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