Shall I sing of the earth or of the sea? —
Of bright-wing'd Mirth, that stays its hour, and flies,
On fickle wings, to far-off, alien skies;
Shall I praise these, O Day, and not praise thee
That giv'st me rare, sweet gifts, — yea, was to me
As sudden fire; a rapture for mine eyes.
That made my roused, stung heart to swell and rise,
Filling it with the joy of joys to be ?
The year returns, but thee I see no more, —
Gone as a man's first dream of goodness goes;
But, where less joys are as forgotten things,
When I draw near to the pale, shadow-shore,
Be with me then, to fight against my foes;
Kiss me, and guard me! hide me with thy wings.
Philip Bourke Marston’s To a Day is a lyrical meditation on the ephemeral nature of time, the fleeting beauty of human experience, and the longing for permanence in a transient world. Written in the late 19th century, the poem reflects the aesthetic and emotional sensibilities of the Victorian era, a period marked by a fascination with mortality, memory, and the sublime. Marston, a poet often associated with the Pre-Raphaelite movement, infuses this work with a rich tapestry of imagery and emotion, creating a piece that resonates deeply with the reader’s sense of loss and yearning.
To fully appreciate To a Day, it is essential to situate it within the broader context of Marston’s life and the Victorian literary milieu. Marston’s personal history is one of profound tragedy: he lost his sight at a young age, and his life was marked by the deaths of loved ones, including his fiancée and close friends. These experiences imbued his poetry with a poignant sense of impermanence and a deep appreciation for the fleeting moments of joy that life offers. The Victorian era, with its preoccupation with mortality and the tension between faith and doubt, provides a fertile ground for Marston’s exploration of these themes.
The poem also reflects the influence of Romanticism, particularly in its celebration of nature and the sublime, as well as the Pre-Raphaelite emphasis on vivid imagery and emotional intensity. Marston’s work, however, is distinct in its introspective tone and its focus on the personal and the ephemeral. To a Day can be seen as a response to the Victorian crisis of faith, offering not solace in religion but a fleeting, almost secular transcendence in the beauty of a single day.
At its core, To a Day is a poem about the passage of time and the human desire to hold onto moments of beauty and joy. The speaker addresses the day as if it were a personified entity, a fleeting yet transformative presence in their life. This personification elevates the day to the status of a divine or muse-like figure, capable of bestowing “rare, sweet gifts” and inspiring profound emotional and spiritual awakening.
The poem’s central tension lies in the contrast between the ephemeral nature of the day and the lasting impact it has on the speaker. The day is described as “sudden fire” and a “rapture for mine eyes,” suggesting an intense, almost overwhelming experience of beauty and joy. Yet, this experience is transient, as the day “returns no more,” leaving the speaker with only the memory of its brilliance. This tension between the fleeting and the eternal is a recurring theme in Marston’s work, reflecting his personal struggles with loss and impermanence.
The emotional impact of the poem is heightened by its intimate tone and the speaker’s vulnerability. The plea to the day—“Kiss me, and guard me! hide me with thy wings”—reveals a deep longing for protection and comfort in the face of life’s uncertainties. This vulnerability invites the reader to empathize with the speaker’s sense of loss and to reflect on their own experiences of fleeting joy and inevitable change.
Marston’s use of literary devices in To a Day is masterful, contributing to the poem’s emotional depth and aesthetic beauty. The poem is rich in imagery, drawing on natural and celestial motifs to evoke the sublime. The day is compared to “bright-wing’d Mirth,” a metaphor that captures its fleeting, almost ethereal quality. The image of the day as a winged creature suggests both its beauty and its transience, as it “stays its hour, and flies” to “far-off, alien skies.”
The poem also employs vivid sensory language to convey the intensity of the speaker’s experience. The day is described as “sudden fire” and a “rapture for mine eyes,” evoking a sense of immediacy and visceral impact. This imagery not only captures the day’s brilliance but also suggests its transformative power, as it awakens the speaker’s heart to “the joy of joys to be.”
Another notable device is the use of apostrophe, as the speaker directly addresses the day throughout the poem. This rhetorical strategy creates a sense of intimacy and immediacy, drawing the reader into the speaker’s emotional world. The day becomes a silent interlocutor, a presence that is both real and imagined, tangible and elusive.
The poem’s structure also contributes to its emotional resonance. The lines flow with a rhythmic cadence, mirroring the ebb and flow of the speaker’s emotions. The use of enjambment creates a sense of continuity and fluidity, reflecting the seamless passage of time and the interconnectedness of memory and experience.
One of the most striking aspects of To a Day is its engagement with the concept of the sublime. The sublime, a key aesthetic category in Romantic and Victorian literature, refers to experiences that inspire awe, wonder, and a sense of transcendence. In the poem, the day is portrayed as a sublime force, capable of awakening the speaker to a heightened state of emotional and spiritual awareness.
However, Marston’s treatment of the sublime is nuanced and deeply personal. Unlike the Romantic poets, who often associated the sublime with the vastness of nature or the infinite, Marston locates it in the fleeting and the everyday. The day, though transient, becomes a source of profound beauty and meaning, suggesting that the sublime can be found in the most ordinary moments of life.
This focus on the ephemeral also reflects the Victorian preoccupation with mortality and the passage of time. The day’s fleeting nature serves as a reminder of the impermanence of all things, yet it also underscores the importance of cherishing the present moment. The speaker’s plea to the day—“Be with me then, to fight against my foes”—reveals a desire to hold onto this moment of transcendence, even as it slips away.
Philip Bourke Marston’s To a Day is a poignant exploration of the beauty and transience of human experience. Through its rich imagery, intimate tone, and engagement with themes of time, memory, and the sublime, the poem captures the emotional complexity of longing for permanence in a world defined by change. Marston’s personal history and the broader cultural context of the Victorian era lend depth and resonance to this work, making it a powerful meditation on the fleeting nature of joy and the enduring impact of memory.
The poem’s enduring appeal lies in its ability to connect with readers on a deeply emotional level. It invites us to reflect on our own experiences of fleeting beauty and to find meaning in the transient moments that shape our lives. In doing so, To a Day reminds us of the power of poetry to illuminate the human condition and to offer solace in the face of life’s impermanence.
Click the button below to print a cloze exercise of the poem critique. This exercise is designed for classroom use.