Fiachra, Fiachra,
Call all your waves to heel:
The moon is white as death to-night,
The air is sharp to feel.
My Ulick's sailing far to-night —
You kind, kind folk that are
To fade away like dew at day,
Light up your evening star.
Fiachra, Fiachra,
Keep guard down all the coast,
For sure am I that I would die
If Ulick's boat were lost.
Oh, show the rocks and show the shore,
And show the open bay;
I'm blind with tears for all the years
Since Ulick sailed away.
Fiachra, Fiachra,
Where Manan's table's set
Under the sea he sits maybe,
And dreams of Aileen yet.
Tell him she's wed and Terence dead,
And lone I sit and spin —
In Mary's name, from the sea-flame
And sea-dusk, call him in!
Fiachra, Fiachra;
Are all the faces fair
Under the sea, and merrily
Rings all the laughter there?
Mavrone! for O my roses go,
My singing voice is broke —
So bid him stay for ever away
Among the kind sea-folk.
I am busy working to bring Nora Hopper Chesson's "A Drowned Man's Sweetheart" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Nora Hopper Chesson's life and contributions to literature.
Check back soon to experience how "A Drowned Man's Sweetheart" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.