The sorrow of the women, and the sorrow
Drawn up like shining fishes from the seas
In all our nets: the griefs that grow together
In sun and rainy weather
Like mosses gray on shadowy apple-trees;
Like mosses gray: nor wither
When rose and sloe and lily dare not stay.
For griefs are sturdy, and they hold together
When thorns forget their May.
And who shall lift the doubt from off To-morrow
And give us peace?
The darkness from To-day: and bid it cease —
The sorrow of the women, and the sorrow?
Even he, who goes the way
That is not known of any summer day:
Who passes the Wind's Height, the Marshes Yellow
With none for faring-fellow.
Who hears the Three Waves roaring after him,
And looks not back, but onward to the dim
Country where love and terror are not known,
But weeds and blossoms are together sown.
Yet there shall he find Terror, if he choose,
And Love, both bound in chains that he must loose
And one shall be his own.
Hence to the Shee's dim country; seek and find
Death chained, Love blind:
Seek thou, and find
If Death be fair at all, or Love be kind?
Loose them, and let them be;
Follow them home, and see
The women bless another friend than thee:
And thou shalt be our borrow.
(The sorrow of the women, and the sorrow.)
I am busy working to bring Nora Hopper Chesson's "The Sorrow of the Women" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Nora Hopper Chesson's life and contributions to literature.
Check back soon to experience how "The Sorrow of the Women" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.
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