I make a garland here of water-flowers
Gathered in quiet hours
From banks that Liris hourly eats away:
From fields that hear all day
The plaint of Simois for boyhood dead.
From almond-boughs o'erhead
I pluck some mocking blossoms: and a spray
Of euphrasy,
That I may see on every leafless tree
The promise of its later royalty
Of mellow apples, or its summer dower
Of scarlet thorn or purple Judas-flower.
I make my garland here, and set between
Pale poplar leaves and Pan's own parsley green
From battle-fields where Nike has not been.
I lift my finished wreath, but make my prayer
Neither to Jove nor Venus: nor have care
To plead to Juno, that my unbound hair
The yellow veil may bear.
But I make humble prayer
To Pan, who gives the squirrel winter store,
Who bids the reeds grow by the river-shore:
That he will stand before
My joy and grief,
And that my withered leaf
He gather up into his sunburned hand.
For joy and grief and hope Pan also knew,
And he hath care to-day for maid and man
That Love has yet forborne to bless or ban:
For once in fields that knew no mortal feet
He harvested Love's wheat, in Love's own land.
Therefore, my wreath that's pale and little sweet
I cast before Pan's feet.
We are busy working to bring Nora Hopper Chesson's "My Garland" to life through our unique musical arrangements and will have a full analysis of the poem here for you soon.
At V2Melody, each arrangement is crafted with care through a thoughtful partnership of human artistry and technological innovation. This process involves:
This creative journey takes time—each composition represents hours of dedicated work to create something that deepens our connection to Nora Hopper Chesson's words in meaningful ways.
While you wait for our complete interpretation, we invite you to explore other musical arrangements in our gallery or learn more about Nora Hopper Chesson's life and contributions to literature.
Check back soon to experience how "My Garland" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.