"All alas and welladay,"
(Shepherds say)
Stepping with a stealthy pace
Past the place
Where the idle lilies blow!
"Here Diana dreaming lay
(Snow in snow!)
Lay a-dreaming on a day
Long ago."
Few the prayers the shepherds say
(Welladay!)
Now Diana ends her chase,
Giving place
To a maid with softer eyes.
Colder breast
(Mystery of mysteries!)
For her greatest gift, and best —
Giving rest.
"Now we thole," the shepherds say,
"Shorter night and longer day.
Shorter days
Sweeter were: when in the nights
Came a sudden press of lights:
Came the shining of a face
Far away.
And we gave Diana praise
For the passing of her face.
"All alas and welladay!"
(Shepherds say)
"Maiden rule we still obey,
Yet we loved the first maid best.
Terror-prest
Though we fled by heme and hollow,
Fearing angry shafts to follow,
Dead, we knew that we should rest
On her breast."
"All alas and welladay,"
(Shepherds say)
"Earth was green that now is gray:
Auster dared not any day
Beat or blow,
When mid lilies Dian lay
(Snow in snow!)
Lay a-dreaming on a day
Long ago."
I am busy working to bring Nora Hopper Chesson's "Shepherds' Song" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Nora Hopper Chesson's life and contributions to literature.
Check back soon to experience how "Shepherds' Song" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.