So, so, breake off this last lamenting kisse,
Which sucks two soules, and vapors Both away,
Turne thou ghost that way, and let mee turne this,
And let our selves benight our happiest day,
We ask'd none leave to love; nor will we owe
Any, so cheape a death, as saying, Goe;
Goe; and if that word have not quite kil'd thee,
Ease mee with death, by bidding mee goe too.
Oh, if it have, let my word worke on mee,
And a just office on a murderer doe.
Except it be too late, to kill me so,
Being double dead, going, and bidding, goe.
John Donne’s The Expiration is a masterful exploration of love, separation, and the paradoxical interplay between life and death. Written in the early 17th century, this poem exemplifies Donne’s characteristic metaphysical style, blending intellectual rigor with profound emotional depth. The poem’s brevity belies its complexity, as it grapples with themes of parting, mortality, and the transformative power of love. In this analysis, we will examine the poem’s historical and cultural context, its use of literary devices, its thematic concerns, and its emotional resonance, demonstrating how Donne crafts a work that is both deeply personal and universally relatable.
To fully appreciate The Expiration, it is essential to situate it within the broader context of John Donne’s life and the early modern period. Donne (1572–1631) lived during a time of significant religious, political, and intellectual upheaval. The Protestant Reformation, the rise of scientific inquiry, and the exploration of new worlds all contributed to a climate of uncertainty and transformation. Donne himself experienced profound personal shifts, converting from Catholicism to Anglicanism, pursuing a career in the church, and grappling with the complexities of love, loss, and faith. His poetry often reflects these tensions, blending the sacred and the secular, the intellectual and the emotional.
The Expiration was likely written during Donne’s early career, a period marked by his passionate and often tumultuous relationships. The poem’s focus on the pain of parting and the intertwining of love and death resonates with the broader themes of Donne’s work, particularly his Songs and Sonnets. The early modern period’s preoccupation with mortality—fueled by plagues, wars, and religious strife—also informs the poem’s exploration of death as both a literal and metaphorical force. Donne’s ability to weave these historical and cultural concerns into a deeply personal meditation on love is a testament to his poetic genius.
Donne’s use of literary devices in The Expiration is both intricate and purposeful, contributing to the poem’s emotional intensity and intellectual depth. The poem is structured as a dramatic monologue, with the speaker addressing a lover as they part. This form allows Donne to convey a sense of immediacy and intimacy, drawing the reader into the speaker’s emotional world.
One of the most striking features of the poem is its use of paradox. The opening lines, “So, so, breake off this last lamenting kisse, / Which sucks two soules, and vapors Both away,” juxtapose the physical act of kissing with the metaphysical idea of souls being consumed. The kiss, typically a symbol of connection and love, becomes a means of separation and dissolution. This paradox underscores the poem’s central theme: the inextricable link between love and loss, presence and absence.
Donne also employs vivid imagery to evoke the speaker’s emotional state. The phrase “let our selves benight our happiest day” suggests a deliberate act of darkening or obscuring, as if the lovers are choosing to eclipse their joy in anticipation of their parting. This imagery of darkness and light recurs throughout the poem, symbolizing the interplay between life and death, love and sorrow.
The poem’s language is rich with metaphors and conceits, hallmarks of Donne’s metaphysical style. For example, the speaker describes their parting as “so cheape a death,” comparing the emotional pain of separation to physical death. This metaphor is extended in the lines, “Ease mee with death, by bidding mee goe too,” where the speaker equates the act of parting with a form of mutual annihilation. The conceit of love as a kind of death is both intellectually stimulating and emotionally resonant, inviting the reader to consider the transformative power of love.
At its core, The Expiration is a meditation on the nature of love and the inevitability of parting. The poem explores the idea that love, while a source of profound joy, also entails vulnerability and pain. The speaker’s plea to “breake off this last lamenting kisse” suggests a recognition that love cannot exist without the possibility of loss. This theme is further developed through the poem’s exploration of death, both as a literal end and as a metaphor for the emotional toll of separation.
Another key theme is the tension between agency and inevitability. The speaker asserts, “We ask'd none leave to love; nor will we owe / Any, so cheape a death, as saying, Goe.” This declaration of independence underscores the lovers’ autonomy in choosing to love, even as they acknowledge the inevitability of their parting. The poem thus grapples with the paradox of love as both a voluntary act and an inescapable force.
The theme of transformation is also central to the poem. The speaker’s description of the kiss as something that “sucks two soules, and vapors Both away” suggests that love has the power to alter the very essence of the self. This idea is echoed in the lines, “Oh, if it have, let my word worke on mee, / And a just office on a murderer doe.” Here, the speaker imagines their words as a form of self-destruction, transforming the act of parting into a kind of justice. This theme of transformation reflects Donne’s broader interest in the ways that love and death can reshape the individual.
One of the most remarkable aspects of The Expiration is its ability to convey profound emotional depth in just a few lines. The poem’s exploration of love and loss is both universal and deeply personal, allowing readers to connect with the speaker’s experience on an emotional level. The speaker’s plea to “breake off this last lamenting kisse” captures the bittersweet nature of parting, evoking a sense of longing and resignation.
The poem’s use of paradox and metaphor also contributes to its emotional impact. By equating love with death, Donne captures the intensity of the speaker’s emotions, suggesting that the pain of parting is akin to a kind of death. This metaphor is both intellectually stimulating and emotionally resonant, inviting the reader to reflect on their own experiences of love and loss.
The poem’s closing lines, “Being double dead, going, and bidding, goe,” are particularly poignant. The repetition of the word “goe” emphasizes the finality of the parting, while the phrase “double dead” suggests a profound sense of loss. The speaker’s acknowledgment of their own emotional death underscores the transformative power of love, leaving the reader with a sense of both sorrow and awe.
John Donne’s The Expiration is a masterpiece of metaphysical poetry, blending intellectual rigor with profound emotional depth. Through its use of paradox, vivid imagery, and intricate metaphors, the poem explores themes of love, loss, agency, and transformation. Situated within the historical and cultural context of the early modern period, the poem reflects the era’s preoccupation with mortality and the complexities of human relationships. At the same time, its emotional resonance speaks to the universal experience of love and parting, making it a timeless work of art.
Donne’s ability to convey such depth and complexity in just a few lines is a testament to his poetic genius. The Expiration invites readers to grapple with the paradoxes of love and death, challenging them to reflect on their own experiences of connection and separation. In doing so, it demonstrates the enduring power of poetry to illuminate the human condition and to connect us with one another on an emotional level. As we continue to navigate the complexities of love and loss in our own lives, Donne’s words remind us of the transformative power of these experiences, and of the beauty and pain that they entail.
Click the button below to print a cloze exercise of the poem critique. This exercise is designed for classroom use.