Whereas at morning in a jeweled crown
I bit my fingers and was hard to please,
Having shook disaster till the fruit fell down
I feel tonight more happy and at ease;
Feet running in the corridors, men quick-
Buckling their sword-belts bumping down the stair,
Challenge, and rattling bridge-chain, and the click
Of hooves on pavement—this will clear the air.
Private this chamber as it has not been
In many a month of muffled hours; almost,
Lulled by the uproar, I could lie serene
And sleep, until all’s won, until all’s lost,
And the door’s opened and the issue shown,
And I walk forth Hell’s mistress... or my own.
I am busy working to bring Edna St. Vincent Millay's "Whereas at morning in a jeweled crown" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Edna St. Vincent Millay's life and contributions to literature.
Check back soon to experience how "Whereas at morning in a jeweled crown" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.