December 1899
I
She sits in the tawny vapour
That the Thames-side lanes have uprolled,
Behind whose webby fold-on-fold
Like a waning taper
The street-lamp glimmers cold.
A messenger's knock cracks smartly,
Flashed news in her hand
Of meaning it dazes to understand
Though shaped so shortly:
He—he has fallen—in the far South Land…
II
'Tis the morrow; the fog hangs thicker,
The postman nears and goes:
A letter is brought whose lines disclose
By the firelight flicker
His hand, whom the worm now knows:
Fresh—firm—penned in highest feather—
Page-full of his hoped return,
And of home-planned jaunts of brake and burn
In the summer weather,
And of new love that they would learn.
Thomas Hardy's poem "A Wife in London," penned in December 1899, stands as a poignant reflection of the human cost of war, specifically the Second Boer War (1899-1902). This brief yet profoundly moving piece exemplifies Hardy's mastery of form and content, weaving together themes of loss, irony, and the cruel vicissitudes of fate. Through its stark imagery and carefully constructed narrative, the poem offers a haunting glimpse into the personal tragedies that unfold in the shadow of distant conflicts.
The poem is divided into two distinct parts, each comprising five lines. This structure, reminiscent of a modified cinquain, allows Hardy to create a dramatic temporal shift between the two stanzas, enhancing the emotional impact of the narrative. The rhyme scheme (ABBA) in each stanza lends a musical quality to the verse, while simultaneously underscoring the sense of enclosure and confinement experienced by the protagonist.
Hardy's use of enjambment and caesura throughout the poem creates a rhythmic tension that mirrors the emotional state of the wife. For instance, the line "Flashed news in her hand" is abruptly cut short, mimicking the sudden, jarring nature of the news itself. This technique serves to heighten the reader's engagement with the text, forcing a pause that echoes the wife's own moment of realization.
The opening stanza is rich with atmospheric detail, painting a vivid picture of a fog-shrouded London. Hardy's description of the "tawny vapour" and "webby fold-on-fold" evokes a sense of suffocation and isolation. The street-lamp, described as glimmering "cold," serves as a metaphor for hope dimmed by circumstances. This bleak setting foreshadows the tragic news that is about to unfold.
The imagery of the second stanza, with its "firelight flicker," creates a stark contrast to the cold, damp atmosphere of the first. This shift in setting parallels the temporal movement from the moment of receiving the tragic news to the arrival of the letter the following day. The warmth of the fire ironically underscores the coldness of death, while the "Fresh—firm—penned" letter becomes a poignant artifact of a life abruptly ended.
Hardy employs a third-person narrative voice, allowing for a detached observation of the unfolding tragedy. This perspective enables the reader to witness the wife's experience without direct access to her thoughts, heightening the sense of isolation and incomprehension conveyed in lines such as "Of meaning it dazes to understand."
The poem's central irony lies in the juxtaposition of the two messages received by the wife. The first, a terse telegram announcing her husband's death, is followed by a letter full of hope and future plans. This cruel twist of fate is emphasized by the description of the letter as "Page-full of his hoped return," highlighting the disconnect between the husband's expectations and the harsh reality of his demise.
While the poem never explicitly mentions war, its historical context and the reference to the "far South Land" clearly allude to the Second Boer War. Hardy uses this specific conflict to explore universal themes of war's impact on those left behind. The wife's solitary vigil in London, far removed from the battlefield, underscores the vast distance—both physical and emotional—between the home front and the theater of war.
The poem poignantly captures the suddenness and incomprehensibility of loss in wartime. The wife's inability to fully grasp the meaning of the telegram ("Of meaning it dazes to understand") reflects the shock and disbelief that often accompany such news. Furthermore, the arrival of the letter the day after the death announcement serves as a painful reminder of the dreams and aspirations cut short by conflict.
Hardy's choice of language is deliberate and evocative throughout the poem. The use of words like "waning," "fallen," and "worm" create a semantic field of decay and death, reinforcing the poem's themes. The "messenger's knock" that "cracks smartly" serves as an auditory symbol of the abrupt intrusion of tragedy into the wife's life.
The poem also employs natural imagery to symbolic effect. The fog, which "hangs thicker" on the second day, can be interpreted as a metaphor for the wife's growing grief and confusion. Similarly, the mention of "brake and burn" in the husband's plans evokes a sense of vitality and regeneration, cruelly juxtaposed against his death.
"A Wife in London" reflects Hardy's broader concerns with the human condition and the often cruel workings of fate, themes that recur throughout his oeuvre. The poem's focus on the personal cost of war anticipates the anti-war poetry that would emerge in the aftermath of World War I, positioning Hardy as a precursor to poets like Wilfred Owen and Siegfried Sassoon.
The poem's publication in December 1899, just months after the outbreak of the Second Boer War, demonstrates Hardy's keen engagement with contemporary events. By focusing on a single, unnamed wife, Hardy humanizes the conflict, inviting readers to consider the individual tragedies that lie behind the grand narratives of war and empire.
"A Wife in London" stands as a masterful example of Hardy's poetic craft, demonstrating his ability to distill complex emotions and societal issues into a compact, powerful form. Through its careful structure, evocative imagery, and deft handling of irony, the poem offers a searing critique of war's impact on the human heart.
The universality of the wife's experience—her solitude, her shock, her encounter with the cruel ironies of fate—transcends its specific historical context, speaking to readers across time about the enduring costs of conflict. In just twenty lines, Hardy creates a work that is at once intimately personal and broadly resonant, inviting us to reflect on the fragility of human life and the profound ripple effects of distant wars on individual lives.
As we continue to grapple with global conflicts and their human toll, "A Wife in London" remains a poignant reminder of the personal tragedies that often go unnoticed in the grand sweep of history. It stands as a testament to poetry's power to illuminate the human condition and to give voice to the silent sufferings of those left behind.