A woman wails her dead among the trees,
Under the green roof grieves the living;
The living sun laments the dying skies,
Lamenting falls. Pity Electra’s loving
Of all Orestes’ continent of pride
Dust in the little country of an urn,
Of Agamemnon and his kingly blood
That cries along her veins. No sun or moon
Shall lamp the raven darkness of her face,
And no Aegean wind cool her cracked heart;
There are no seacaves deeper than her eyes ;
Day treads the trees and she the cavernous night.
Among the trees the language of the dead
Sounds, rich with life, out of a painted mask;
The queen is slain; Orestes’ hands drip blood;
And women talk of horror to the dusk.
There can be few tears left: Electra wept
A country’s tears and voiced a world’s despair
At flesh that perishes and blood that’s spilt
And love that goes down like a flower.
Pity the living who are lost, alone;
The dead in Hades have their host of friends,
The dead queen walketh with Mycenae’s king
Through Hades’ groves and the Eternal Lands.
Pity Electra loveless, she whose grief
Drowns and is drowned, who utters to the stars
Her syllables, and to the gods her love;
Pity the poor unpitied who are strange with tears.
Among the garden trees a pigeon calls,
And knows no woe that these sad players mouth
Of evil oracles and funeral ills;
A pigeon calls and women talk of death.
I am busy working to bring Dylan Thomas's "Greek Play in a Garden" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Dylan Thomas's life and contributions to literature.
Check back soon to experience how "Greek Play in a Garden" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.