Fair yellow murderess, whose gilded head
Gleaming with deaths; whose deadly body white,
Writ o’er with secret records of the dead;
Whose tranquil eyes, that hide the dead from sight
Down in their tenderest depth and bluest bloom;
Whose strange unnatural grace, whose prolonged youth,
Are for my death now and the shameful doom
Of all the man I might have been in truth,
Your fell smile, sweetened still, lest I might shun
Its lingering murder, with a kiss for lure,
Is like the fascinating steel that one
Most vengeful in his last revenge, and sure
The victim lies beneath him, passes slow,
Again and oft again before his eyes,
And over all his frame, that he may know
And suffer the whole death before he dies.
Will you not slay me? Stab me; yea, somehow,
Deep in the heart: say some foul word to last,
And let me hate you as I love you now.
Oh, would I might but see you turn and cast
That false fair beauty that you e’en shall lose,
And fall down there and writhe about my feet,
The crooked loathly viper I shall bruise
Through all eternity: —
Nay, kiss me, Sweet!
I am busy working to bring Arthur O'Shaughnessy's "To a Young Murderess" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Arthur O'Shaughnessy's life and contributions to literature.
Check back soon to experience how "To a Young Murderess" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.