One of the chairs is South America,
One of the chairs is a ship at sea,
One is a cage for a great big lion,
And one is a chair for Me.
The First Chair.
When I go up the Amazon,
I stop at night and fire a gun
To call my faithful band.
And Indians in twos and threes,
Come silently between the trees,
And wait for me to land.
And if I do not want to play
With any Indians to-day,
I simply wave my hand.
And then they turn and go away—
They always understand.
The Second Chair.
I'm a great big lion in my cage,
And I often frighten Nanny with a roar.
Then I hold her very tight, and
Tell her not to be so frightened—
And she doesn't be so frightened any more.
The Third Chair.
When I am in my ship, I see
The other ships go sailing by.
A sailor leans and calls to me
As his ship goes sailing by.
Across the sea he leans to me,
Above the winds I hear him cry:
"Is this the way to Round-the-World?"
He calls as he goes by.
The Fourth Chair.
Whenever I sit in a high chair
For breakfast or dinner or tea,
I try to pretend that it's my chair,
And that I am a baby of three.
Shall I go off to South America?
Shall I put out in my ship to sea?
Or get in my cage and be lions and tigers?
Or—shall I be only Me?
I am busy working to bring A. A. Milne's "Nursery Chairs" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about A. A. Milne's life and contributions to literature.
Check back soon to experience how "Nursery Chairs" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.