It's funny how often they say to me, "Jane?
"Have you been a good girl?"
"Have you been a good girl?"
And when they have said it, they say it again,
"Have you been a good girl?"
"Have you been a good girl?"
I go to a party, I go out to tea,
I go to an aunt for a week at the sea,
I come back from school or from playing a game;
Wherever I come from, it's always the same:
"Well?
Have you been a good girl, Jane?"
It's always the end of the loveliest day:
"Have you been a good girl?"
"Have you been a good girl?"
I went to the Zoo, and they waited to say:
"Have you been a good girl?"
"Have you been a good girl?"
Well, what did they think that I went there to do?
And why should I want to be bad at the Zoo?
And should I be likely to say if I had?
So that's why it's funny of Mummy and Dad,
This asking and asking, in case I was bad,
"Well?
Have you been a good girl, Jane?"
I am busy working to bring A. A. Milne's "The Good Little Girl" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about A. A. Milne's life and contributions to literature.
Check back soon to experience how "The Good Little Girl" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.