Good morrow to the day so fair;
Good morning, sir, to you;
Good morrow to mine own torn hair,
Bedabbled with the dew.
Good morning to this primrose too;
Good morrow to each maid;
That will with flowers the tomb bestrew
Wherein my Love is laid.
Ah! woe is me, woe, woe is me,
Alack and well-a-day!
For pity, sir, find out that bee,
Which bore my Love away.
I'll seek him in your bonnet brave;
I'll seek him in your eyes;
Nay, now I think they've made his grave
I' th' bed of strawberries.
I'll seek him there; I know, ere this,
The cold, cold earth doth shake him;
But I will go, or send a kiss
By you, sir, to awake him.
Pray hurt him not; though he be dead,
He knows well who do love him;
And who with green turfs rear his head,
And who do rudely move him.
He's soft and tender, pray take heed,
With bands of cowslips bind him,
And bring him home;—but 'tis decreed
That I shall never find him.
I am busy working to bring Robert Herrick's "The Mad Maid's Song" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Robert Herrick's life and contributions to literature.
Check back soon to experience how "The Mad Maid's Song" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.