You say I love not, 'cause I do not play
Still with your curls, and kiss the time away.
You blame me, too, because I can't devise
Some sport, to please those babies in your eyes;
By Love's religion, I must here confess it,
The most I love, when I the least express it.
Shall griefs find tongues; full casks are ever found
To give, if any, yet but little sound.
Deep waters noiseless are; and this we know,
That chiding streams betray small depth below.
So when love speechless is, she doth express
A depth in love, and that depth bottomless.
Now, since my love is tongueless, know me such,
Who speak but little, 'cause I love so much.
I am busy working to bring Robert Herrick's "To his Mistress, Objecting to Him Neither Toying or Talking" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Robert Herrick's life and contributions to literature.
Check back soon to experience how "To his Mistress, Objecting to Him Neither Toying or Talking" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.