Brief was the reign of pure poetic truth;
A race of thinkers next, with rhymes uncouth,
And fancies fashion’d in laborious brains,
Made verses heavy as o’erloaded wains.
Love was their theme, but love that dwelt in stones,
Or charm’d the stars in their concentric zones;
Love that did first the nuptial bond conclude
’Twixt immaterial form and matter rude;
Love that was riddled, sphered, transacted, spelt,
Sublimed, projected, everything but felt.
Or if in age, in orders, or the cholic,
They damn’d all loving as a heathen frolic;
They changed their topic, but in style the same,
Adored their Maker as they would their dame.
Thus DONNE, not first, but greatest of the line,
Of stubborn thoughts a garland thought to twine;
To his fair maid brought cabalistic posies,
And sung quaint ditties of metempsychosis;
Twists iron pokers into true love-knots,
Coining hard words, not found in polyglots.
I am busy working to bring Hartley Coleridge's "Donne" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Hartley Coleridge's life and contributions to literature.
Check back soon to experience how "Donne" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.