She left her babe, and went away to weep,
And listen’d oft to hear if he did cry;
But the great river sung his lullaby,
And unseen angels fann’d his balmy sleep.
And yet his innocence itself might keep;
The sacred silence of his slumb’rous smile
Makes peace in all the monster-breeding Nile;
For God e’en now is moving in the sweep
Of mighty waters. Little dreams the maid,
The royal maid, that comes to woo the wave
With her smooth limbs beneath the trembling shade
Of silver-chaliced lotus, what a child
Her freak of pity is ordain’d to save!
How terrible the thing that looks so mild!
I am busy working to bring Hartley Coleridge's "Moses in the Bulrushes" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Hartley Coleridge's life and contributions to literature.
Check back soon to experience how "Moses in the Bulrushes" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.