The gates of Death and Life are open now,
And o'er the first gate hangs an almond bough
Thick-flowered with blossom, but without a leaf;
And o'er the second gate a beech bough swings,
Full of green leaves and rustling with birds' wings,
Less fair than almond-blossom, not so brief.
And near the door of Death the century stands
With eyes that brim with wonder and with grief—
An empty scabbard in her withered hands.
Men's blood is on her feet, her breast bears scars
Borne out of many wars.
Her eyes are tired with looking out across
Gray leagues of loss.
The smile upon her mouth is like the smile
Lips of the dead wear for a little while
Ere clay is given back again to clay,
And mourners from the graveside turn away.
The rose upon her cheek is pale, the hair,
That once was golden as the garlands there,
Upon pale brows falls gray.
She has her back turned to the coming day,
To-morrow has no more to her to say —
Yesterday speaks too loudly in her ears.
Voices that cried at Waterloo she hears,
Behind her are the mists that overran
The camps that slept and waked at Inkerman;
Red sands of Egypt in her tresses gleam
Instead of rubies: she has dreamed the dream
Held by the Sphinx in sleepless eyes of stone.
About her waist for zone
A sacred snake, wrought out of Indian gold,
Coils, fold on gleaming fold.
Its head is on a wound an Indian sword
Made, when, at bidding of the tiger-lord,
Men slew babe, maid, and mother, and a well
Ran blood instead of water. This befell
Long, long ago, but in her haunted eyes
Its picture never dies.
She has seen kingdoms won and islands given,
Deserts reclaimed, kings into exile driven,
And she is weary. For a hundred years
Has she not wept hot tears,
And smiled and laughed? And now her course is run
And she is facing to the westering sun,
She need not smile nor weep, but evermore
Peace shall she have, because her work is done.
The almond-blossoms pave the way she goes;
Her children call her blessed, and none knows
If lief or loath she passes through the door.
I am busy working to bring Nora Hopper Chesson's "The Old Century" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Nora Hopper Chesson's life and contributions to literature.
Check back soon to experience how "The Old Century" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.