The wind came crying from the East;
And blew the churchyard-grass aside
As if to read forgotten names,
It tossed the very altar-flames,
And like a mourning woman cried,
Whose sorrow will not be denied:
Then in the sea-caves sank and ceased.
The wind came singing from the West;
And through the formal gardens ranged,
And suddenly they all were changed.
He entered in the rose's breast,
Like any bee, and, murmuring there,
Sent a new music through the air:
Then, in mid-sweetness, fell to rest.
The wind came shouting from the North;
As some armed warrior might come forth
Eager to slay, or to be slain.
He tore the last leaves from the tree
And sped them shuddering o'er the plain;
He called to heel the angry sea,
And lashed it with his scourge of rain.
The wind came sighing from the South,
His hair a cloud, a rose his mouth;
His eyes beneath the level brows
Were shadowy as forest boughs;
His voice was like a song one hears
In childhood, lost for many years.
Heard first with laughter, last with tears.
I am busy working to bring Nora Hopper Chesson's "Winds" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Nora Hopper Chesson's life and contributions to literature.
Check back soon to experience how "Winds" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.