White stand the houses out in the moonless midnight.
Here and there a window lighted yet stands plain —
Strange as a lifted eyelid in a face that slumbers —
The wakefulness behind it, is it grief or sin or pain?
Cart on cart moves stealthily, feet on feet follow,
Wheels plod on reluctantly, creaking as they go,
A snatch of crazy song beats down a baby's crying —
But over all and each the silence falls like snow.
All sounds flower slowly from the heart of silence.
Not as in the daylight, shrieked at ears a-strain:
Harsh sounds come less harshly, and fade before they trouble
Ears that hear them come and go, and peace grow whole again.
One by one the fixed lights grow paler and grow fewer,
One by one man quenches what he lit; the stars remain.
The gray sky whitens, with a shudder it is daylight,
Cocks are crowing sleep away, and day brings rain.
I am busy working to bring Nora Hopper Chesson's "A White Night" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Nora Hopper Chesson's life and contributions to literature.
Check back soon to experience how "A White Night" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.