There's green fire in the Easting, and red fire in the West,
The North and South are coloured like the plumes on a dove's breast;
The wind's down, but the aspens take yet no thought of rest.
There's not a bird's nest in them, but endlessly they sway
Throughout the windless twilight as through the windy day,
Though the rain stays for whose coming the poplar leaves turned gray.
The hill above us darkens with a crown of ash and oak.
Its flanks are clothed with gorses, and upon its neck for yoke
It wears the fallen elm-trees that the last thunder broke.
A gray stain to the southward tells of ships upon the sea:
A cry from hidden coverts tells where the moor-hens be:
A white flash in the grayness — the owl has left her tree.
The darkness narrows round us the lands that lay so wide —
I cannot tell the ash-tree from the alder at her side;
Nor know the homeward way of these three roads that here divide,
But for the lowing cows that come, slow-footed, down the ride.
I am busy working to bring Nora Hopper Chesson's "Sunset" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Nora Hopper Chesson's life and contributions to literature.
Check back soon to experience how "Sunset" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.