Green meadows after the rainfall look like spring:
We pass along them, lazily loitering.
White flowers in the deep grass move at the touch of a white moth's wing:
The cattle are still in the meadow, and high on the hill
The sheep are still.
A robin sings in the hawthorn that leans so low
Bowed by the weight of its haws, and the blackberries show
Delicate blossom, and fruit that deepens from red
Into the perfect black, and the deep-thorned branches spread,
Traps in the yellowing grass for the careless feet that fare
This way in the lover's twilight, and up from the alders there
A cloud of swallows rises and dances high in the air.
Bells leap up to us, following with chime upon chime
Us as we climb
Up past the alder coolness, the hazel screen.
Over us now no trees but the oaks stand green;
Beautiful, steadfast, grave, they gather and stand
Guarding the dimpling land.
And far away where the girdle of oaks slips free —
Behold, the sea.
I am busy working to bring Nora Hopper Chesson's "On Rye Hill" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Nora Hopper Chesson's life and contributions to literature.
Check back soon to experience how "On Rye Hill" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.