I.
Yee happy floods! that now must passe
The sacred conduicts of her wombe,
Smooth and transparent as your face,
When you are deafe, and windes are dumbe.
II.
Be proud! and if your waters be
Foul'd with a counterfeyted teare,
Or some false sigh hath stained yee,
Haste, and be purified there.
III.
And when her rosie gates y'have trac'd,
Continue yet some Orient wet,
'Till, turn'd into a gemme, y'are plac'd
Like diamonds with rubies set.
IV.
Yee drops, that dew th' Arabian bowers,
Tell me, did you e're smell or view
On any leafe of all your flowers
Soe sweet a sent, so rich a hiew?
V.
But as through th' Organs of her breath
You trickle wantonly, beware:
Ambitious Seas in their just death
As well as Lovers, must have share.
VI.
And see! you boyle as well as I;
You, that to coole her did aspire,
Now troubled and neglected lye,
Nor can your selves quench your owne fire.
VII.
Yet still be happy in the thought,
That in so small a time as this,
Through all the Heavens you were brought
Of Vertue, Honour, Love and Blisse.
I am busy working to bring Richard Lovelace's "Lucasta, Taking the Waters at Tunbridge" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Richard Lovelace's life and contributions to literature.
Check back soon to experience how "Lucasta, Taking the Waters at Tunbridge" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.