With a free account you can leave comments, like and rate tracks, request poems, and build your own playlists.

Break of Day in the Trenches

Isaac Rosenberg

1890 to 1918

Poem Image
Track 1

With a free account you can save your favorites, comment, request poems, and create and share your own playlists!

The darkness crumbles away.
It is the same old druid Time as ever,
Only a live thing leaps my hand,
A queer sardonic rat,
As I pull the parapet’s poppy
To stick behind my ear.
Droll rat, they would shoot you if they knew
Your cosmopolitan sympathies.
Now you have touched this English hand
You will do the same to a German
Soon, no doubt, if it be your pleasure
To cross the sleeping green between.
It seems you inwardly grin as you pass
Strong eyes, fine limbs, haughty athletes,
Less chanced than you for life,
Bonds to the whims of murder,
Sprawled in the bowels of the earth,
The torn fields of France.
What do you see in our eyes
At the shrieking iron and flame
Hurled through still heavens?
What quaver—what heart aghast?
Poppies whose roots are in man’s veins
Drop, and are ever dropping;
But mine in my ear is safe—
Just a little white with the dust.

Share this poem:

Isaac Rosenberg's Break of Day in the Trenches

Introduction

Isaac Rosenberg's "Break of Day in the Trenches" stands as a poignant testament to the horrors and absurdities of World War I, offering a unique perspective on the conflict through the lens of a single, transformative moment at dawn. This poem, crafted with meticulous attention to detail and imbued with rich symbolism, presents a complex tapestry of emotions and observations that challenge conventional war poetry of its time. Through a careful examination of Rosenberg's use of imagery, symbolism, and juxtaposition, we can unravel the layers of meaning embedded within this masterful work and gain insight into the poet's commentary on the nature of war, humanity, and the thin line between life and death in the trenches.

Historical Context and Biographical Significance

To fully appreciate the depth of "Break of Day in the Trenches," one must first consider the historical context in which it was written and the unique perspective Rosenberg brought to his work. As a British soldier of Jewish descent, Rosenberg occupied a marginal position within the ranks of the British Army, which arguably contributed to his ability to view the war with a critical and somewhat detached eye. His background as a visual artist before the war also influenced his poetic style, evident in the vivid and often startling imagery he employs throughout the poem.

The First World War, with its unprecedented scale of destruction and loss of life, challenged poets to find new ways of expressing the inexpressible. While many of Rosenberg's contemporaries, such as Wilfred Owen and Siegfried Sassoon, adopted a more overtly anti-war stance in their poetry, Rosenberg's approach in "Break of Day in the Trenches" is subtler, relying on irony and symbolism to convey the futility and absurdity of the conflict.

Analysis of Form and Structure

The poem's structure, at first glance, appears deceptively simple. Composed of a single stanza of 26 lines, it flows with a conversational ease that belies its complex themes. The lack of a rigid rhyme scheme or meter contributes to this sense of naturalness, allowing Rosenberg to capture the stream-of-consciousness quality of a soldier's thoughts at dawn. However, closer examination reveals a carefully crafted rhythm that mimics the ebb and flow of the speaker's observations and reflections.

Rosenberg's use of enjambment is particularly effective, creating a sense of continuity that mirrors the unending nature of trench warfare. Lines such as "Only a live thing leaps my hand, / A queer sardonic rat," demonstrate how this technique can create suspense and emphasize key images. The poem's single stanza structure also reflects the claustrophobic environment of the trenches, where distinctions between day and night, life and death, become blurred.

Symbolism and Imagery

Central to the poem's power is Rosenberg's masterful use of symbolism, with the rat and the poppy serving as the two primary symbolic elements. The rat, described as "queer" and "sardonic," becomes a powerful metaphor for the absurdity of war. Its ability to cross freely between the trenches of opposing armies highlights the arbitrary nature of national boundaries and the conflict itself. The rat's "cosmopolitan sympathies" stand in stark contrast to the nationalistic fervor that drove nations to war, offering a biting critique of the conflict's underlying ideologies.

The poppy, a flower traditionally associated with remembrance and the fallen soldiers of World War I, takes on a more complex significance in Rosenberg's hands. The speaker's act of plucking a poppy "To stick behind my ear" can be interpreted as a defiant gesture against death, an attempt to assert life and individuality in the face of overwhelming mortality. However, the image of poppies "whose roots are in man's veins" transforms this symbol of remembrance into a chilling reminder of the blood-soaked earth of the battlefield.

Rosenberg's vivid imagery extends beyond these central symbols. His description of the soldiers as "haughty athletes, / Less chanced than you for life" presents a poignant juxtaposition of youthful vitality and the fragility of life in wartime. The phrase "Sprawled in the bowels of the earth" evokes not only the physical reality of trench warfare but also suggests a descent into a hellish underworld, further emphasizing the dehumanizing nature of the conflict.

The Role of Time and Perspective

The poem's opening line, "The darkness crumbles away," sets the stage for a meditation on time and perspective. The reference to "the same old druid Time as ever" suggests a cyclical view of history, with the current conflict merely the latest in an endless series of human struggles. This perspective is reinforced by the rat's timeless presence, moving indiscriminately between combatants.

Rosenberg's manipulation of time within the poem is masterful. While the action ostensibly takes place in a single moment at dawn, the speaker's reflections span past, present, and future. This temporal fluidity allows Rosenberg to comment on the broader implications of the war while remaining grounded in a specific, visceral moment of experience.

Voice and Tone

The voice of the poem is perhaps its most striking feature. The speaker addresses the rat directly, creating an intimacy that stands in stark contrast to the vast, impersonal nature of the conflict. This conversational tone, combined with the use of sardonic humor ("Droll rat, they would shoot you if they knew / Your cosmopolitan sympathies"), creates a sense of detachment that allows for a more nuanced exploration of the war's impact.

The speaker's tone shifts subtly throughout the poem, moving from wry amusement to profound contemplation. The questions posed in the final stanza ("What do you see in our eyes / At the shrieking iron and flame / Hurled through still heavens?") take on an almost existential quality, pushing the poem beyond mere observation into a deeper inquiry into the nature of human experience in the face of mechanized warfare.

Intertextuality and Literary Context

"Break of Day in the Trenches" engages with a rich tradition of war poetry while simultaneously subverting many of its conventions. The poem's title evokes the aubade, a traditional form of love poetry set at dawn, but Rosenberg repurposes this convention to highlight the grim reality of life in the trenches. The reference to "druid Time" calls to mind the ancient poetic traditions of Britain, creating a stark contrast with the modern, industrialized nature of the conflict.

Rosenberg's work can be seen as a bridge between the Georgian poets who preceded him and the Modernist movement that would gain prominence in the wake of the war. His use of free verse and stream-of-consciousness techniques anticipates the stylistic innovations of poets like T.S. Eliot, while his unflinching portrayal of the war's brutality aligns him with the more realist tendencies of his contemporaries.

Conclusion

"Break of Day in the Trenches" stands as a testament to Isaac Rosenberg's unique voice and vision. Through its intricate interplay of symbolism, imagery, and tone, the poem offers a profound meditation on the nature of war and its impact on the human spirit. Rosenberg's ability to find beauty and meaning in the midst of horror, without ever diminishing the reality of that horror, marks this work as a significant contribution to the canon of war poetry.

The enduring power of "Break of Day in the Trenches" lies in its capacity to speak to universal themes while remaining grounded in the specific experience of trench warfare. By focusing on a single moment and a seemingly insignificant encounter with a rat, Rosenberg creates a microcosm through which we can understand the larger tragedy of the war. The poem's final image of the poppy "Just a little white with the dust" serves as a poignant reminder of the fragility of life and the enduring impact of conflict on both the individual and collective consciousness.

In the century since its composition, "Break of Day in the Trenches" has lost none of its relevance or emotional impact. As we continue to grapple with the legacy of the First World War and the ongoing reality of global conflict, Rosenberg's words offer a powerful lens through which to examine our own relationship to war, mortality, and the complex web of human experience that binds us all.