In a lonely spot that was filled with leaves,
And the wild waste plants without scent or name,
Where never a mourner came,—
That was far from the ground where the false world grieves,
And far from the shade of the church’s eaves—
They buried the Poet with thoughts of shame,
And not as one who believes.
Then the tall grass flower with lolling head,
Who is king of all flowers that twine or creep
On graves where few come to weep,
To the briar, and bindweed, and vetch, he said,
"Lo, here is a grave of the lonely dead;
Let us go up and haste while his soul may sleep,
To make the fresh earth our bed."
Then the rootless briar and bindweed mean,
And the grovelling vetch, with the pale trefoil
That cumbers the fruitless soil,
Yea, the whole strange rout of the earth’s unclean
Went up to the grave that was fresh and green;
And together they wrought there so dense a coil
The grave was no longer seen.
But the tall mad flower whose head is crowned
With the long lax petals that fall and flap
Like the ears of a fool’s bell-cap,
He stood higher than all on the fameless mound;
And nodded his head to each passing sound,
Darting this way and that, as in sport to trap
Each laugh of the winds around.
I am busy working to bring Arthur O'Shaughnessy's "The Poet's Grave" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Arthur O'Shaughnessy's life and contributions to literature.
Check back soon to experience how "The Poet's Grave" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.