Enjoy more with a Free Account!

Visitors enjoy previews of the 5 newest additions, all non-English language poems, and all Original Compositions.
Get a Free Account and you can enjoy previews of everything in the collection.

A Lover's Lullaby

George Gascoigne

c.1535 to 1577

I am busy working on the musical arrangement of this poem and I will be publishing it at:

11:00 on November 16, 2024.

Sign up for a Free Account and I will email you when it is published.

Times are Eastern Standard Time.

Sing lullaby, as women do,
    Wherewith they bring their babes to rest;
And lullaby can I sing too,
    As womanly as can the best.
With lullaby they still the child;
And if I be not much beguiled,
Full many a wanton babe have I,
Which must be still'd with lullaby.

First lullaby my youthful years,
    It is now time to go to bed:
For crooked age and hoary hairs
    Have won the haven within my head.
With lullaby, then, youth be still;
With lullaby content thy will;
Since courage quails and comes behind,
Go sleep, and so beguile thy mind!

Next lullaby my gazing eyes,
    Which wonted were to glance apace;
For every glass may now suffice
    To show the furrows in thy face.
With lullaby then wink awhile;
With lullaby your looks beguile;
Let no fair face, nor beauty bright,
Entice you eft with vain delight.

And lullaby my wanton will;
    Let reason's rule now reign thy thought;
Since all too late I find by skill
    How dear I have thy fancies bought;
With lullaby now take thine ease,
With lullaby thy doubts appease;
For trust to this, if thou be still,
My body shall obey thy will.

Thus lullaby my youth, mine eyes,
    My will, my ware, and all that was:
I can no more delays devise;
    But welcome pain, let pleasure pass.
With lullaby now take your leave;
With lullaby your dreams deceive;
And when you rise with waking eye,
Remember then this lullaby.

George Gascoigne's A Lover's Lullaby

Introduction

George Gascoigne's "A Lover's Lullaby" stands as a poignant testament to the complexities of aging, desire, and self-reflection in Renaissance poetry. This masterful work, composed in the latter half of the 16th century, exemplifies Gascoigne's ability to weave together themes of youth, maturity, and the passage of time with a deft hand and a nuanced understanding of human nature. Through its intricate structure and layered symbolism, the poem invites readers into a world where the speaker grapples with the inevitable march of time and the bittersweet farewells to the passions of youth.

Structure and Form

Gascoigne employs a carefully crafted structure that mirrors the lullaby form referenced in the poem's title. Each stanza follows a consistent ABAB CDDC rhyme scheme, creating a rhythmic quality that echoes the soothing cadence of a traditional lullaby. This choice of form is not merely aesthetic; it serves to underscore the poem's thematic concerns with comfort, resignation, and the gentle ushering in of a new phase of life.

The repetition of "lullaby" at key points throughout the poem functions as a refrain, reinforcing the lullaby motif and providing a structural backbone that unifies the work. This repetition also serves to emphasize the transformative nature of the speaker's journey, as each instance of "lullaby" marks a transition or farewell to a different aspect of the speaker's younger self.

Thematic Analysis

At its core, "A Lover's Lullaby" is a meditation on the process of aging and the attendant shifts in perspective that come with maturity. The speaker personifies various aspects of his younger self—his years, his eyes, his will—addressing each in turn and bidding them farewell. This personification technique allows Gascoigne to explore the complex emotions associated with aging in a tangible, relatable manner.

The first stanza sets the tone for the entire poem, establishing the lullaby as a metaphor for the process of quieting and putting to rest the various aspects of youth. The comparison to a mother soothing a child is particularly poignant, suggesting both the tenderness and the necessity of this process. The line "Full many a wanton babe have I, / Which must be still'd with lullaby" hints at the multiple facets of the speaker's personality or desires that must be addressed and quieted.

As the poem progresses, we see a clear trajectory from youth to age. The second stanza directly addresses the speaker's "youthful years," acknowledging the physical signs of aging such as "crooked age and hoary hairs." The imagery of the haven within the head is particularly striking, suggesting both a refuge and a final resting place for youth.

The third stanza turns its attention to the speaker's "gazing eyes," once eager and quick to admire beauty. The mention of furrows in the face serves as a stark reminder of the physical manifestations of aging. The admonition to "wink awhile" and not be enticed by beauty speaks to a resignation to the changing nature of one's relationship with physical attraction as one ages.

Perhaps most intriguing is the fourth stanza's focus on the "wanton will." Here, Gascoigne delves into the realm of desire and impulse, suggesting that with age comes a need for reason to reign over passion. The line "How dear I have thy fancies bought" implies a rueful acknowledgment of the costs—both literal and figurative—of youthful indulgences.

Symbolism and Imagery

Gascoigne's use of symbolism and imagery throughout the poem is both subtle and effective. The recurring motif of sleep serves multiple purposes: it reinforces the lullaby theme, symbolizes the "death" of youth, and suggests a state of peaceful acceptance. The contrast between sleep and waking is particularly evident in the final stanza, where the speaker acknowledges that upon waking, one must "Remember then this lullaby"—a poignant reminder that the lessons of age persist even as youth fades.

The imagery of light and sight—particularly in the third stanza with its references to "gazing eyes" and "fair face"—underscores the changing perception of beauty and desire that comes with age. The dimming of this light, symbolized by the command to "wink awhile," serves as a metaphor for the fading of youthful passions.

Language and Tone

The language of "A Lover's Lullaby" is characterized by its gentle, almost hypnotic quality. Gascoigne's choice of words like "still," "beguile," and "appease" contributes to an atmosphere of soothing resignation. However, this gentleness is undercut by moments of sharp clarity, such as the mention of "crooked age" and "furrows in thy face," creating a tension between comfort and harsh reality.

The tone of the poem evolves subtly from stanza to stanza. While it begins with a note of tender nostalgia, it progresses through stages of rueful acknowledgment and pragmatic acceptance, ultimately arriving at a place of bittersweet farewell in the final stanza.

Historical and Literary Context

To fully appreciate "A Lover's Lullaby," one must consider its place within the broader context of Renaissance poetry. Gascoigne, writing in the latter half of the 16th century, was part of a literary movement that saw a revival of interest in classical forms and themes, coupled with an increasing focus on individual experience and emotion.

The poem's exploration of aging and the passage of time resonates with contemporary works such as Shakespeare's sonnets, particularly those addressing the ravages of time on beauty and youth. However, Gascoigne's approach is unique in its use of the lullaby form and its direct address to personified aspects of the self.

Moreover, the poem's themes reflect broader cultural preoccupations of the Renaissance period, including the tension between reason and passion, the transience of beauty, and the inevitability of change. These concerns were particularly resonant in an era marked by rapid social and cultural transformations.

Conclusion

George Gascoigne's "A Lover's Lullaby" stands as a masterful exploration of aging, desire, and self-reflection. Through its intricate structure, evocative imagery, and nuanced thematic development, the poem offers readers a deeply personal yet universally relevant meditation on the passage of time and the evolution of the self.

The poem's enduring appeal lies in its ability to capture the complex emotions associated with aging—the nostalgia for youth, the rueful acknowledgment of past follies, and the quiet acceptance of change. By framing these weighty themes within the gentle structure of a lullaby, Gascoigne creates a work that is at once soothing and profoundly moving.

Ultimately, "A Lover's Lullaby" invites us to consider our own relationship with time and change. It reminds us that while the passions and follies of youth may fade, they leave behind valuable lessons and memories. In bidding farewell to his younger self, Gascoigne's speaker does not merely mourn what is lost, but also embraces the wisdom and peace that come with age. This nuanced perspective on the aging process, coupled with the poem's formal elegance and emotional resonance, secures its place as a significant work in the canon of Renaissance poetry.