Come then to prayers
And kneel upon the stone,
For we have tried
All courages on these despairs,
And are required lastly to give up pride,
And the last difficult pride in being humble
Draw down the window-frame
That we may be unparted from the darkness,
Inviting to this house
Air from a field, air from a salt grave,
That questions if we have
Concealed no flaw in this confessional,
And, being satisfied,
Lingers, and troubles, and is lightless,
And so grows darker, as if clapped on a flame,
Whose great extinguishing still makes it tremble.
Only our hearts go beating towards the east.
Out of this darkness, let the unmeasured sword
Rising from sleep to execute or crown
Rest on our shoulders, as we then can rest
On the outdistancing, all-capable flood
Whose brim touches the morning. Down
The long shadows where undriven the dawn
Hunts light into nobility, arouse us noble.
I am busy working to bring Philip Arthur Larkin's "Come then to prayers" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Philip Arthur Larkin's life and contributions to literature.
Check back soon to experience how "Come then to prayers" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.