Morning, a glass door, flashes
Gold names off the new city,
Whose white shelves and domes travel
The slow sky all day
I land to stay here;
And the windows flock open
And the curtains fly out like doves
And the past dries in a wind
Now let me lie down, under
A wide-branched indifference,
Shovel faces like pennies
Down the back of mind,
Find voices coined to
An argot of motor-horns,
And let the cluttered-up houses
Keep their thick lives to themselves
For this ignorance of me
Seems a kind of innocence.
Fast enough I shall wound it.
Let me breathe till then
Its milk-aired Eden,
Till my own life impound it -
Slow-falling; grey-veil-hung; a theft,
A style of dying only.
I am busy working to bring Philip Arthur Larkin's "Arrival" to life through some unique musical arrangements and will have a full analysis of the poem here for you later.
In the meantime, I invite you to explore the poem's themes, structure, and meaning. You can also check out the gallery for other musical arrangements or learn more about Philip Arthur Larkin's life and contributions to literature.
Check back soon to experience how "Arrival" transforms when verse meets melody—a unique journey that makes poetry accessible, engaging, and profoundly moving in new ways.